The forms and settings in The Cabinet of Dr. Caligari play a far more complex role than simply adding tension, horror and suspense to the film's narrative. The expressionistic design of the mise-en-scene escalates the emotions and thoughts of the main characters, insisting that the viewer join the insanity and confusion, and become a part of this madman's world.

The mise-en-scene in The Cabinet of Dr. Caligari should seem over-the-top in every aspect, as the film is abstracted and stylized to become a type of fantasy world for the insane and the ruthless. The characters are molded into this bizarre atmosphere; consisting of distorted lines, jagged angles, and fragmentary shapes, reflecting Caligari's madness and the hysteria and paranoia which is throughout Holstenwall (Wells 44). "Mirrors, shadow

There are no graphical scenes in The Cabinet of Dr. Caligari which show the ruthlessness of the protagonists; its horror lies in its ability to capture the audience into Caligari's world. The expressionistic design intensifies this dystopia, repulsing the audience to Caligari's lust for domination, and forcing them to feel the anxiety of his victims. It is this fear which dominates the film, causing the audience to be a witness to Caligari's evil, and a victim of his crimes.

Also apparent throughout the film is the use of symbolism to make statements about the tyranny and evilness within Caligari's madman world. The ridiculously high stool of the town clerk, his awkwardly unstable table, and the seemingly never ending amount of steps that lead to the police headquarters, clearly represent the superiority of the city bureaucracy (Robinson 29). To the

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