Ghiberti followed the plans and created 10 scenes ranging from the Creation of Adam and Eve to the reign of King Solomon. The top left panel is the scene of the Creation, Temptation and Expulsion of Adam and Eve. The top right panel is the scene of Cain murdering Abel. The next panel is of Noah and the Flood; then Abraham sacrificing Isaac; Jacob and Esau; Joseph being sold into slavery by his brothers; Moses receiving the Ten Commandments; Joshua and the battle of Jericho; David and Goliath; and finally Solomon and the Queen of Sheba. All the panels were gilded in gold, giving them a uniform and seamless perspect

The scene of Moses on top of Mt. Sinai, could have been done better. It seems that Mt. Sinai is more of a hill than a mountain. Ghiberti could have made Moses smaller in size or maybe the crowd below smaller in relative size. The depiction of God handing Moses the Ten Commandments is unique. God is shown as some sort of flowing cloud floating with a convoy of angels. Two angels are playing trumpets to sound the coming of God. The crowd below is seen praying and also some are cowering before God and this holy spectacle. The way in which Ghiberti chose to carve each figure and object in this scene is interesting. The figures in the foreground received a lot of attention to their detail and the way they seem to stick out of the panel. The buildings in the back don't have much detail in their carving. They don't stick out as much as those figures in the foreground.

The panel of Jacob and Esau is one of the more interesting ones in the set. In this panel, Ghiberti tells the story of Esau and his son Jacob. Esau is choosing one of his sons that will take his place. Jacob's mother was able to get Jacob into Esau's room while he was about to choose his successor. Esau eventually chooses Jacob to take his place. Jacob and Esau are in many locations in the panel. In the panel, you can see Esau's birth, Jacob talking with Esau, Esau hunting, and Esau's mother talking with Jacob and also Jacob giving Esau his birthright.

ive. Ghiberti was a master of using perspective in his works. The attention to detail is apparent when you examine closely the sculpted figures in each panel. They all seem three-dimensional. The way in which Ghiberti sculpted each figure, gives them a shadow against the background which is key to the three-dimensional perspective of each figure. The way in which the panels were positioned on the doors is interesting. Instead of using smaller panels, which would allow for more scenes, Ghiberti chose to use large panels that are easy to see. The miniature figures and heads surrounding the ten panels is another interesting point. The full body figures are Prophets.

The building in the middle of the panel are interesting because of its use of perspective and how it recedes into the background. The building is an open hallway with a stairs. Columns with Corinthian capitals support the arches of the

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Approximate Pages = 6 (250 words per page double spaced)