"Apollo 13" is an exhilarating film documenting the acute tragedies that fraught the Apollo13 moon mission. Through the use of camera techniques, symbolism, and the documentary genre, the audiences' emotions are effectively manipulated, thus compelling them to relive the "edge-of-the-seat" calamity.

Camera techniques are effective in manipulating emotion, especially during the two climaxes: the sequencing and the re-entry. Firstly, during the sequencing scene, Ken Mattingly is called upon to conduct simulation exercises to find a solution to conserve power for re-entry. However, it was obvious that tension was mounting, despite the little successes that had already transpired. This, combined with close-ups of Mattingly in the simulator, contributes to heightening the tension, thus putting the viewer in suspense. Secondly, whilst preparing for the re-entry

When all these elements are considered, it becomes apparent the way film makers manipulate the audience's emotions. Coupled with camera techniques, symbolism, and the documentary genre, each step of the Apollo 13 journey is milked for suspense.

The fact that "Apollo 13" adopts both a documentary and a narrative genre helps to manipulate the viewer's emotions. The subjective shots of the television at the Lovell's home, and the footages in the opening scenes, gives viewers a "feel" for space exploration, as it allows them to realise that the dangers incurred is not just a fantasy, but a reality. In addition, when retrieving the crew, there were references to the IWO JIMA. As this is part of America's national pride, similar to "Anzac Day", it allows for a sense of satisfaction, as the tragedy of Apollo 13 united a sceptic nation. It also allowed the viewer to understand that the Apollo missions depended upon the Cold War, as it was to serve the purpose of advertising America's technical superiority, and advancin

Some common words found in the essay are:
Ken Mattingly, Answer Apollo, Gene Kranz's, Odyssey Houston, Union Symbolism, Cold War, Anzac Day, Marilyn Lovell, Gene Kranz, Spirit Sky, apollo 13, viewer's emotions, camera techniques, camera techniques symbolism, techniques symbolism documentary, documentary genre, tragedy apollo, allowed viewer, symbolism documentary, symbolism documentary genre, techniques symbolism, manipulate viewer's emotions, manipulate viewer's, tragedy apollo 13, ken mattingly,
Approximate Word count = 689
Approximate Pages = 3 (250 words per page double spaced)