Fear and Loathing in a Clockwork Age

Ah! The noble search for identity. That intangible achievement that all artists lust after and lay in torment over. And during the post war era that struggle reached incredible magnitudes. The world cried out for legions of anti-heroes, who were only virtuous in their unapologetic and brutally honest lack of virtue. And the art world provided as many counter culture messiahs as was needed to "Damn the Man". The Beats, hippies, and punks are evidence that behind the white picket fence of suburbia lay an America that wanted more out of life than the sugar coated portrayals of domesticity and patriotism it received from pop culture. The unfortunate side of authenticity often lead to the conclusion that autonomy was an impossible dream and that just mere existence required an individual to compromise his integrity. The post-war generation developed an interesting love-hate relationship with the mass culture of it's time. Some, like Andy Warhol, embraced the inevitability of mass culturalization in order to control the beast (yes, this is a reference to Revelations). While others recognized the American Dream as being a hypocrisy and so chose the Golden

To the Beats the only solution to a life of domestic stagnation was to pack up and let life lead you down one winding road after another. There was a certain comfort in the unknown. Ambiguity turned survival into a triviality, while one could find the deepest meaning in chance and whimsy. When mere existence doesn't seem to be guaranteed it's the little moments of perfection that become one's focus. No other Beat poet understood that concept as well as Jack Kerouac. "Jack Kerouac single handedly created the beat generation. Although Allen Ginsberg, Gregory Corso and William Burroughs Brought their separate and cumulative madness to the beat generation, it was Kerouac who was the Unifying Principle."(Krim,p.4)

In the "113th Chorus" of Mexico City Blues is a perfect explanation of this blissful void. Since only two lines address life("Got up and dressed up, and went out & got laid"), it is clear that Kerouac's emphasis is on the hereafter. It is only after everything has ended, that perfection is achieved. The lines "Yet everything is perfect, Because it is empty, Because it is perfect with emptiness, Because it's not even happening" echo Shakespeare's philosophy on existence.

Postwar America was extremely prosperous from the stand point of the middle class white suburbanite. The only problem was that not everyone fit that mold. And even those who were born into that environment often found it's conventions limiting and unfufilling. At home the issues facing minorities went, for the most part, ignore

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Approximate Word count = 1018
Approximate Pages = 4 (250 words per page double spaced)