Bach, who came from a family of over 53 musicians, was nothing short of a virtuoso instrumentalist as well as a masterful composer. Born in Eisenach, Germany, on March 21, 1685, he was the son of a masterful violinist, Johann Ambrosius Bach, who taught his son the basic skills for string playing. Along with this string playing, Bach began to play the organ, which is the instrument he would later on be noted for in history. His instruction on the organ came from the player at Eisenach's most important church. He instructed the young boy rigorously until his skills surpassed anyone's expectations for someone of such a young age. Bach suffered early trauma when his parents died in 1695. He went to go live with his older brother, Johann Christoph, who also was a professional organist at Ohrdruf. He continued his younger brother's education on the organ, as well as intro

Once again he did not remain there too long, only a little over a year, when he moved again to Weimar where he accepted the position of head concertmaster and organist in the Ducal Chapel. It was here that Bach settled himself and began to compose the first collection of his finest early works which, included organ pieces and cantatas. By this time Bach had been married for several years. He actually became married to his cousin Maria Barbara. They, for the most part, had a happy marriage. By this stage of his life he had "composed" for himself a wonderful reputation of being a brilliant musical talent. Along with that his proficiency on the organ was unequaled in Europe by this time. In fact, he toured regularly as a solo virtuoso, and his growing mastery of compositional forms, like the fugue and the canon, were already attracting interest from the musical establishment, which, in his day, was the Lutheran church. The church began to look at Bach's writings and saw the opportunity to possibly use his music in their masses. Thus was the slow birth of the German chorale, which Bach later became renowned for (Bettmann).

"Easter Oratorio" is another fine piece. Conducted by Philippe Herreweghe, and highlighted by the sounds of the bassoon, cello, choir, flute, orchestra, organ, trumpet, viola, and violin, the piece is refreshing and compelling, though it did have its dull moments. Herreweghe used a small chorus, which gave the piece an intimate feel. Another interesting aspect was that the conductor avoided dragging out the solo parts, which I believe took away from the piece. Historically, this piece is important because like "Mass in B Minor," it was a testament to his unyielding dedication to the church.

id off for him at an early age (Geiringer).

Surely, Johann Sebastian Bach never believed that his success would become so heroic and monumental. However, we today perceive him to be one of the key individuals to shape the music we listen to. It is no secret that his writings, especially chorale writings, are used to illustrate the principles of our functional system of harmony. It is in this example alone that it can be seen that Bach's works have not only survived to the point where they are still heard and listened to, but they also still provide us with knowledge and understanding from which we ca

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