"All plots tend to move deathward"(p26). This is very ironic logic that DeLillio has Jack use in his discussion with the department heads. Jack plotted to create an image for himself. Jack's whole personification is one that is larger than life, therefore larger than death. After all he walks the campus in a dark, flowing robe and wearing large dark glasses. He is known as J.A.K. Gladney, the originator of Hitler studies, a role in which he can hide from life.

This is a concept most individuals are guil

In his professional life Jack is able to disguise himself from death. This superficial personification does not shield him from death's watch at home. He and Babette enjoy a marriage that allows them to talk openly and intimately about everything, except death; their deepest fear. "Who will die first. This is a question that comes up from time to time."(p15)

Neither character wants to be the last to die. To die first would be easier. To die last would be to die alone. To die alone is the ultimate betrayal. Abandoned by the one you love, whether it is because they preceded you in death or for other reasons is probably the most devastating experience any human being could imagine. This is one of the disturbing possibilities of the reality of own death that DeLillio touches.

ty of. We create a public image, a personification, of who we want the world to believe we are. Though not grand as Jack's our personifications allows us to hide our deepest fears

Some common words found in the essay are:
FEAR DEATHp, JAK Gladney, DeLillio Jack, Babette DeLillio, White Noise, DENIAL DEATH, control fear, fear death, die die, delillio touches, deepest fears, death fear, own death,
Approximate Word count = 654
Approximate Pages = 3 (250 words per page double spaced)