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Romeo and Juliet 11

Why Romeo and Juliet was so popular in Shakespeare's time and why even

William Shakespeare was born on April 23, 1564 in the town of Stratford-upon-Avon, England to Mary Arden and John Shakespeare. He was the third of eight children. He went to a local grammar school, where his studies included Latin and Greek (Debnam).

At the age of eighteen he married Anne Hathaway who was eight years older than he. Their marriage was hurried because Anne was already pregnant (The Tragedies, 16). Shakespeare was the father of three children, two daughters and one son, Hamnet. At this time, Shakespeare was twenty-one, and the way he supported his family is unknown. In August of 1596, Hamnet died at the age of eleven (Shakespeare's History).

Stories say that Shakespeare began his career by holding horses outside the theaters. More reliable information indicates that he acted in plays, many of his own. From acting Shakespeare progressed to writing plays both for the theater and for court performances (The Tragedies, 17).

Shakespeare didn't attend college, so in order to broaden his education, he studied the ways of a gentleman and read widely. He looked to Cambridge-educated playwright Christopher


By the time Shakespeare turned thirty years old, he was an established actor and playwright in London. At the age of thirty-three, he had not only written the early poems and the early plays, but in the last three or four years half-a-dozen masterpieces: "A Midsummer Night's Dream," "Romeo and Juliet," Richard II.," "King John," "The Merchant of Venice," "The Two Parts of Henry IV" (Shakespeare The Man, 382). When he was thirty-five, Shakespeare was a member of the syndicate responsible for building the first Globe theater, in Southwark, in 1599 (General Into). From then on, Shakespeare was completely involved in the theater: He wrote for the company, acted in the plays, shared in the profits, and eventually became one of the owners of the Globe theater (The Tragedies, 19). This famous theater made him wealthy, not his plays as some might believe, which he did not make much money from (Debnam).

Cedric Watts, writer of Twayne's New Critical Introductions to Shakespeare, believes that Shakespeare put too much emphasis the youth of the lovers, tragic miscalculations, and the lacking of inevitability. In his book, Watts illustrates this point with pin point accuracy. He explains that:

Although there are many qualities the play Romeo and Juliet posses that attract us to it, the one that shines above all the rest is the everlasting love Romeo and Juliet have for one another. They continue to show their love for one another from the first time they meet to the last time they look at the other before committing suicide because they can't imagine living in a world without the other. Their love for each other conquers all other things, even life itself. This, along with many other characteristics that Romeo and Juliet posses are what has kept us drawn to this play and plays like it for 400 years. People will probably never get tired of a story of ever-lasting love, for it is what all people wish to have in their lives. They desire to cast themselves as Romeo and Juliet so they can experience what true love does to the mind, body, and soul.

Shakespeare's Romeo and Juliet is among the most widely recognizable and most often read and studied Western literary classic. A major reason for the play's continuing appeal is that its characters explore and express a wide range of human emotions and experiences, especially those that deal with young love (R&J, 12). This tragic play is cherished throughout many years because readers wish to have some of the same qualities that both Romeo and Juliet acquire.

Marlowe, as a mentor. Marlowe was the same age as Shakespeare, but who preceded him in skillfully combining drama with poetry. In many plays throughout his career, Shakespeare paid tribute to Marlowe, though ultimately he eclipsed Marlowe as a dramatist (The Tragedies, 17).

It is obviously true that the plot depends on seemingly random occurrences. For example: in Act 1, Capulet entrusts the party invitations to a messenger who is unable

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Approximate Word count = 2003
Approximate Pages = 8 (250 words per page double spaced)


  

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