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Analysis of Paulo Freire and John Berger

The stories behind a piece of art are infinite. The reasons the artist produced the piece is only one explanation behind the work. Even so, who is to know the specific thoughts the artist was thinking at the time? As each art critic may conclude his own analysis of an artwork, who is right and who is wrong? Just as students challenge the information that is supposedly "deposited" in them by the teacher in the classroom setting, art challenges the belief- that information can only be used as it was intended, which is highly rare in our day and age.

The concept of perspectivism falls into place in this scenario. Art is perceived differently by varying individuals. There can be millions of interpretations that exist for one piece of artwork, however none more or less correct than the next interpretation. Similar to teachers depositing information to the students, each student may receive the information in different contexts. Whose to say whether or not the students' interpretation is wrong? As writer John Berger points out the concept of reproducing art, in his essay "Ways of Seeing," he addresses the idea how perspectives change completely when an artwork is reproduced to be used in a


Based on perspectivism "people develop their power to perceive critically the way to exist in the world with which and in which they find themselves(Freire 356)". Images of art enhances how one views the world around him. Infinite meanings behind an image expands one's vision to see much more, to think much more, and to believe much more. "Our vision is continually active, continually moving, continually holding things in a circle around itself, constituting what is present to us as we are(Berger 106)".

"[Art] becomes information of a sort, and, like all information, it is either put to use or ignored(Berger 120)". Each individual sees art differently, images become information that is incorporated with the individual's own knowledge and personality. As art is reproduced over and over again in different contexts, the artist's original purpose of the image is altered, a progression from old ideas to new ideas. Clearly one can see how the original intended purpose of the art is gone, and new purposes have evolved.

With the rapid changes constantly present with the arise of new cultures and new fashions in this modern age, it is a challenge to keep up with all the new ideas and thoughts that are spreading everywhere. As Freire believes that "challenge evokes new challenges, followed by new understandings(355)", one can easily understand the constant need for changes and progress in society. Thus the reproduction of art is a form of change, a challenge that evokes new challenges.

One must not assume the role of "receptacles" to be merely "deposited" with information. An image has no real authoritative status, so one should not feel intimidated to interpret it otherwis

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Approximate Word count = 1145
Approximate Pages = 5 (250 words per page double spaced)


  

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