During the sixteenth century while the High Renaissance was evolving two definite styles of artwork developed. The first, which was Mannerism and is also sometimes called anti-classical style, and the second was Classicism, also known as anti-mannerism. This is some sort of hint that the two were almost opposites.1

"One response that was provoked by the upheavals of the sixteenth century was the attempt to escape reality, an effort that was echoed by some of the painters of the age, known as Mannerists. The Mannerists and their patrons cultivated artificial and esoteric images of the world; they undermined perspective, distorted human figures, and devised unnatural colors and lighting to create startling effects."2

Mannerism broke all of the unwritten rules of painting. It created darker paintings and showed more emotion. Mannerism can be quite easily recognized. Art was no longer bo

A classicist painter was restricted in the ways that he painted. There were unwritten and written codes on how to paint in the classic style. There was not as much creativity in the painting. The classicist painters used traditional shades and lighting effects, while mannerists experimented with them. Mannerism tore away from the traditional bounds that held the rest of the art world in.

Many new shades of color and lighting effects were developed and this helped to set the mood that the artist wanted you to feel. They began to use acidic colors and painted new scenes not seen before. This got the people interested. They had seen the scenes that the classicist painters were painting, and that got boring. It's the same with things now. People always want the new, and not the old. The Mannerist artist has the right or duty to employ any possible method of observation.5 Thus, creating new and exciting paintings.

The Classical painter or architect would stay with many two dimensional figures and not let the building give a true three-dimensional look and feel, mannerists did this.

Some of the best painters of all time came out of the Mannerist style. "If one removes from an account of sixteenth century art in Rome Raphael and all Michealangelo's works then little is left. Only Sebastiano del Piombo and Giulio Romano remain as major painters."6 Although these are the major painters of the Mannerist style, there were

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