Aristotle's philosophy on why people enjoy viewing tragedies

A detailed Summary of Aristotle's philosophy on why people enjoy viewing tragedies

Aristotle's Philosophy regarding why People enjoy viewing Tragedies.

The word Tragedy can be applied to a genre of literature. It can mean any serious and dignified drama that describes a conflict between the hero (protagonist) and a superior force (destiny, chance, society, god) and reaches a sorrowful conclusion that arouses pity or fear in the audience. From this genre comes the concept of tragedy, a concept which is based on the possibility that a person may be destroyed precisely because of attempting to be good and is much better than most people, but not perfect.

Tragedy implies a conflict between human goodness and reality. Of course a possible variation of the tragic concept would allow a character to have a fault which leads to consequences far more dire than he deserves. But tragic literature is not intended to make people sad. It may arouse pity and fear for the suffering protagonist, or for all humanity, especially ourselves. But usually it also is intended to inspire admiration for the central character, and by analogy for all mankind.

In the century after Sophocles, the philosopher Aristotle analyzed tragedy. His viewpoint defined Tragedy as an imitation of an action that is serious, complete, and of a certa

Tragedies have been a crucial and symbolic component in shaping the world's literature. Their involvement of emotions, intricate language and complex plots has verified men's limitlessness of intelligence. Their involvement of human heroes and heroines that make human mistakes interests attracts the attention of the audience. Their extremely emotional conclusion only adds to emphasizing the radical point of view of the author. Aristotle's philosophy on Tragedies is both fascinating and accurate. His key points: the intricacy of tragedies, and the build up and release of emotions have proven to be and apparently will always be enticing constituents of audiences worldwide.

A Reversal is a change of a situation to its opposite. A clear example is Oedipus' situation at the beginning and at the end when Oedipus is King. Another example in the play was when a man comes to free Oedipus of his fear about his mother, but actually does the opposite. Recognitions are also supposed to be clearly connected with all the rest of the action of the plot. Tragedies represent complicated dilemmas that could occur to any human being. However, because they are fictional, they spark an interest amongst the audience in discerning the conclusion of the literary work. The involvement of supernatural power further adds to savor up the intricate plot and add a spice of adventure.

According to Aristotle, the centra

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