The cage is a symbol of many things throughout the story, most noticeably irony, but the cage is also a symbol of animalism in the artist and a symbol of security through change. Irony is a tool used by the author in the plot of the story, which yields a resolution that is the opposite, or at least very different than what was expected from the characters. The protagonist of the Kafka story is an ironic character because he feels the strongest when he fasts, and becomes nauseous when he eats food, whereas most people feel nauseous when they do not eat food. This is quite autobiographical, because Kafka suffered from tuberculosis and his weight would often fluctuate between 100-140 pounds. The dialogue is also rather ironic. The artist will make a statement, one that the people would not think of as ironic, and when they reply to him, they say what he does not want to hear. " "I always wanted you to admire my fasting," said the hunger artist. "We do admire it," said the overseer, affably. "But you shouldn't admire it, "said the hunger artist."

Earlier in the story, Kafka tells us that the hunger artist was required to stop fasting; that his "boss" impose

d a 40-day limit on the fast. When he is forced to stop fasting and is removed from the cage by ladies, Kafka points out that " the eyes of the ladies, who were apparently friendly and in reality so cruel." is another example of this irony. Why? Because they are aiding him in his "weakened" condition as the fast ends, but they are cheating the artist out of his ability to fast even longer. He knows that he can fast almost indefinitely, "since he felt there were no limits to his capacity for fasting." It's strange how Kafka's translators chose the word capacity, a word denoting fullness, when his stomach is quite empty. The cage supersedes these aspects because this cage brings him comfort in captivity and isolation, whereas normal people lose those qualities in confinement.

As for the abstract, the cages symbolizes that when " they might have stayed longer had not those pressing behind them in he narrow gangway, who did not understand why they should be held up on their way towards the excitement of the menagerie, made it impossible for anyone to stand gazing quietly for any length of time." This reminded me of a passage from Dante's Inferno, a section outside of hell which is still in the greater area of the Inferno, but it is not in the Inferno itself. This area holds the neutrals, the people who never stood for anything, people who were Luke-warm, people who did whatever everyone else would do. Their punishment in the Inferno is that they are constantly holding a sail (which bears no marking), that is constantly swept in a different direction, never standing still, because they never stood for anything. In Kafka's story, the people move with the masses, never standing still t

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Approximate Word count = 1149
Approximate Pages = 5 (250 words per page double spaced)