Film 2

A detailed Summary of Film 2

This film deserves a higher status than that of cult, and is much more than just an acceptable homage to Philip K Dick, author of many original science-fiction novels, often laced with philosophical perspectives on reality and human dependencies. The film is multi-layered; thrilling and unsettling, part dark science fiction and detective film noir, realistic and dream-like, intelligent, mature, artistic and powerful. Purely on the surface, it has a visual richness which is wonderfully atmospheric (enhanced by the soundtrack of Vangelis), drawing one into a dystopic vision of the future which is not only a sprawling, technological metropolis, but an empty, soulless place. It is a film which not only incorporates the strong themes presented by Dick (disillusionment and control) but also adds its own sorbefacient mood, which though aloof and tragic includes through its characters a sense of life's contained desperation. They are withdrawn, living in a mellow dream but primarily lonesome and in need of basic human love or compassion. The indication that many people have left Earth for the (deluded?) attraction of a utopian, resort-style Off-World colony increases the sense of their world as forgotten and abandoned. The characters seem

random, everyday people of the city, but through the story are united by an accepting will to survive because there is nothing else, nothing but fear. Death to the replicants is represented by their own heightened sense of mortality and the outside embodiment of the Blade Runners; stalkers such as the weary Deckard.

This highlights another interesting factor which distinguishes Blade Runner from being a conventional sci-fi thriller to a surprisingly relevant and resonant work; the mix of the traditional with the untraditional. We have the typical cop hero in the character Deckard, found in a downtown bar at the beginning, wanted for an assignment by the chief. The role of film noir is interesting in that such stereotypical characteristics are drawn upon and then overturned so that out of cliche emerges a great originality of vision - the future is not just visually dark and pessimistic but also fundamentally old in a spiritual and physical way. There is the usual love interest in Rachel, the main villain Batty and his boys heading for a showdown, a few minor characters of interest and behind it, the clever scientist whose plans backfire. Before long however, all is out of joint; the b

Some common words found in the essay are:
Philip Dick, Deckard Throughout, Blade Runner, Rutger Hauer, , Blade Runners, vision future, film noir, love rachel,

Approximate Word count = 804
Approximate Pages = 3 (250 words per page double spaced)

Category: Movies

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Film 2

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