Schindlers List is about Oskar Schindler, a German Nazi who uses the Jews to make money off the war. At the beginning of the movie Schindler is portrayed as a womanizer, gambler, and heavy drinker. He becomes friends with some top Nazi officials to better himself. As the movie progresses Schindler begins to produce war materials using the Jews as a labor force. As he sits back and watches the various actions of the Nazis he begins to question his morals. His accountant, Itzhak Stern, begins making a list of around 1200 Jews. These Jews were to come and work in Schindlers' factory. When Germany surrendered all of the N

With his outstanding work on camera angles, Steven Spielberg holds the audience at breath while waiting for the next scene. Spielberg uses a hand held camera to grasp the effects. David Denby explains how the use of a handheld camera is much more accurate. "The camera keeps moving [...] moving fast, chasing corners and up stairways [...]." Spielberg makes the movie look "like and advertent look of newsreel footage" (1282). Life magazine quoted Spielberg discussing the image of Amon Goeth sunbathing. A man named Raymond Titsch took pictures inside the Holocaust gates. When he died Spielberg got a hold of those pictures and disclaims remark about the photographs and courage. "He looked as if he was at Club Med [...] the photographers shadow on his gut [...] the courage the shadow represented" ("Schindler's 9). Clearly Spielberg was moved by these images; it took courage to face up to the reality of the Holocaust. During the movie the camera angles are not hard to catch on to. Throughout it the camera is basically focusing eye level. Spielberg is emphasizing reality, not fiction, by having the viewer seeing everything to the eye level. Spielberg keeps his scenes at this level because he is reminding viewers of the popular opinion of this time- there is no God. God is looking down upon the horror, and does nothing about it. Therefore many now believe he does not exist. Philip Strick introduces a new approach to Spielberg's' actions. He believes Spielberg discards his "classy crane-shots" to get the crowd to mix in. "[...] panic inducing proximity or tries to provide vistas where so much is happening, so many details of independent action almost unobserved [...] unable to imagine the logistics of it's fakery" (1291-92). Spielberg also comments about how hard the film was to make. In an interview with Spielberg Ansen writes that Spielberg was directing a scene and could not watch it himself. He said to the man "'Do you think you got that?' And he said, 'I don't know, I wasn't looking.'" Spielberg takes this reaction as a compliment, "when the focusing man doesn't look you know it's interesting" (Film 1290). According to Ansen Spielberg had is own idea of making his style. "[...] I threw half my toolbox away, I canceled the crane. I tore out the dolly track. I didn't really plan a style. I didn't say I'm going to use a handheld camera. I simply tried to pull the events closer to the audience by reducing the artifi

Some common words found in the essay are:
Janusz Kaminski's, Geoff Eley, Ansen Spielberg, Schindlers List, Club Med, Philip Strick, Nazi Jews, Spielberg Jew, Talmud Schindler, David Denby, black white, schindlers list, movie color, camera angles, white film, black white film, little girl, steven spielberg, life saves world, movie schindler, whoever saves, imagination helped, whoever saves life, saves world entire, eye level spielberg,
Approximate Word count = 1634
Approximate Pages = 7 (250 words per page double spaced)