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Frankenstein Biography, Setting, Plot Outline,Themes,Literary Techniques

Most people know of Mary Shelley as the writer of Frankenstein and the wife of the poet Percy Bysshe Shelley. However, she was far more than that, and parts of her life were just as dramatic and tragic, if not more so, than her famous gothic novel. Mary's parents were themselves well-known in English society and somewhat notorious. Her father, William Godwin, was a radical theorist on the French Revolution. Her mother, Mary Wollstonecraft, was a pioneer of women's rights and her book A Vindication of the Rights of Woman caused considerable reaction at the time. Furthermore, she already had an illegitimate child, Fanny Imlay, and was pregnant with Mary when she married William Godwin. She was born in London in 1797. Sadly, Mary never knew her mother as she died just ten days after giving birth. Literary theorists have suggested that this sense of loss and search for identity can be found in Mary's works, particularly in Frankenstein and the creature's search for his creator.

Mary was just fifteen years old when she first met Percy Shelley. He was an ardent admirer of Godwin's works and politics and a frequent visitor to the Godwin's home along with his wife Harriet. Percy's wife, Harriet, became suspicious of Mary and Percy, t


. Mary Shelley died at the age of 53 from a brain tumor in 1851. She is buried in St. Peters Churchyard, Bournemouth along with the transferred remains of William Godwin and Mary Wollstonecraft. Despite suffering so many tragedies and losses during her life, she was a prolific writer and her memory will continue to live on through her most famous creation - Frankenstein.

Near the end of the novel, the Monster requests from Victor to create for him, a female counterpart. When the Monster says, "You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do; and I do demand it of you as a right which you must not refuse to concede"(140). The Monsters longing for a person he can communicate with is very important. It signifies that he wants to be included in some kind of family situation as he has observed from before. He wants a person who can understand the way he feels and why he feels this way. When a person usually has problems, he/she turns to family for help, but in the case of the Monster; he has no family and must ask his creator to make him one. Not a whole family, but a single person, who could be his companion for life. The way the Monster needs a member is the same as Victor wanting to create a new member himself. By creating the female one, Victor is attempting to make a new family for the monster, but near the completion of the female monster, Victor decides to destroy it. He contemplates that making this female version of the Monster will allow the male one to be able to produce offspring's and this he thought would be a horrendous idea. A lot of little monsters with superhuman powers running around.

The need for an extra family member was the reason Victor created the monster. Through various examples throughout the novel, we can see that the need for family is greatly needed. If one is missing, the family is incomplete and must attempt to substitute that member with someone else. Many times, a substitute cannot be found and life must go on with what you have. The Monster in the end had no one and decided cease living and leave this place as an act of goodwill. This was most unfortunate because he never got to experience what living with a family or having anyone to love was like. As the creator, Victor should take full responsibility and provide his creation with these pleasures in life. In the very end, the monster does regret putting his creator through the torment that he went through. Two wrongs do not make a right, but it seemed the only reasoning that could get through Victor's stubborn head was to it this way. In the end we learn that family is the basis for which we can continue on and have happiness.

The danger of a stereotype is that people become that which they originally were not. As a result, they are unable to live with the person that they have become. The being was not a monster on the inside initially. As the monster says, "I was benevolent and good; misery made me a fiend" (90). Society created his misery by rejecting him. Thus, Victor created the being, but society created the monster. None of these tragic murders would have occurred had someone, anyone, accepted him. The being even says, "If any being felt emotions of benevolence towards me, I should return them an hundred and an hundred fold; for that one creature's sake, I would make peace with the whole kind!"(125). His repeated rejections and his intense loneliness lead him to commit acts which he never thought himself capable of committing. Society's expectations are fulfilled, but at the expense of the creature's soul. The monster confesses to Walton, "My heart was fashioned to be susceptible of love and sympathy; and, when wrenched by misery to vice and hatred, it did not endure the violence of the change, without torture such as you cannot imagine" (182). The monster has fulfilled the stereotype, but he cannot live with what he has become. Thus, t

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Approximate Word count = 10478
Approximate Pages = 42 (250 words per page double spaced)


  

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