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hunchback of notre dame, theme of love

"Love is a universal language." This popular quote from many movies and literary works describes the importance of love, and how there are no limits or barriers when dealing with love. Many people cannot even help whether or not they fall in love. There are many types of love and they need not be between members of opposite sexes. In Victor Hugo's novel, The Hunchback of Notre Dame, Quasimodo's love for Esmerelda is not as strong as his different sense of love for the Archdeacon, Claude Frollo. Quasimodo loves each person in a different manner, but is truer to the Archdeacon. The hunchback feels, among other things, a love described as Eros for the Mistress Esmerelda; whereas, for the Archdeacon the love he feels is known as Philia. While Quasimodo is drawn to Esmerelda by her inner beauty and personal qualities, he admires the Archdeacon for his powerful position in the social structure of the town. Throughout the story, Quasimodo does his best to protect Esmerelda. Contrarily, he is protected by the Archdeacon. There are four types of love, only one of which involves a man's physical love for a woman and vice versa. This type of love is known as Eros.

It is defined as a relationship in which two parties are physica


Those who were not shrieking, those who were still alive, saw

to be some sort of supernatural creature. (22)

When the poor bellringer became deaf the two men developed

In the timeframe of this story, the late 1400's and early 1500's, the Catholic Church is a major factor and authority in virtually all of a town's laws, transactions and business. This being the case, holding the position as Archdeacon, or head of the church, is a much coveted occupation. Quasimodo admires the Archdeacon's powerful position. The hunchback himself enjoys authority as he possesses the power of rule over people. This is visible when he is elected Pope of Fools:

round, delicate arms held over her head, she seemed

colored litter. Twelve officers of the Brotherhood of Fools

In contrast, Quasimodo does not, in any way, protect Claude Frollo. In fact, the opposite is true. The Archdeacon acts as a father figure to the hunchback. In turn, Quasimodo shows the utmost respect for Frollo. He takes punishment and scorn from Frollo, even when it is not deserved, and accepts it quietly. He does this while he is quite capable of defying the Archdeacon physically as he does with any other person that angers him:

Throughout the story by Victor Hugo, Quasimodo shows love to both Esmerelda, a beautiful gypsy, and to Claude Frollo, the Archdeacon that took the hunchback into his custody. Two types of love displayed are Eros, to the Mistress, and Philia, toward Frollo. Quasimodo's protection of Esmerelda is seen inversely through his relationship with the Archdeacon. The Archdeacon and Esmerelda have diverse qualities that evoke separate types of love from Quasimodo. In the end, the bell ringer's relationship with Frollo supercedes his emotions towards the Mistress. The Philial and brotherly love triumphs over unrequited erotic love.



Some common words found in the essay are:
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Approximate Word count = 1551
Approximate Pages = 6 (250 words per page double spaced)


  

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