part; but then I shall know even as I am known" (1 Corinthians 13). The narrator of Raymond Carver's "Cathedral" is a man living a life of monotony, continuously feeding the cold and bigoted mind that we witness for the first part of the story. The process of guiding Robert through the drawing of the cathedral,removes the narrator from that dark looking glass and initiates a tranformation in which he is compelled to meet himself face to face; this awakening stirs the narrator's humility, imagination, and faith.

It is human nature to embrace preconceptions regarding the facets of daily life, from politics to people. It is, as well, innate to consider oneself better than another. An awakening such as the narrator's, however, ruptures the protective shield that surrounding steadfast biases, and forces the person to assess their position in the greater schema of humankind. A bias that surfaces early on, is the mention of Robert's wife, "Beulah!" The narrator exclaims, "That's a name for a colored woman." (Carver, "Cathedral," 182) Here, by attaching a stereotype to a simple name, he exhibits the precise indiscretion of a clo

sees himself clearly, face to face, knowing as he is known. The blind is a

cathedrals, most without the reward of witnessing the finished product. Here

Now, however, he has awakened to the reality that he can make a difference by

recovering his lost imagination, the narrator accentuates a heartfelt and

and then eventually reaches humility through his awakening. The narrator

narrator retrieves his imagination. For so long he had been stifling his innate

"use a cane and he [doesn't] wear dark glasses, [having] always thought dark

Some common words found in the essay are:
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Approximate Word count = 1246
Approximate Pages = 5 (250 words per page double spaced)