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The Bluest Eye - Protrait of a Victim

Portrait of a Victim: Toni Morrison's The Bluest Eye

The Bluest Eye (1970) is the novel that launched Toni Morrison into the spotlight as a talented African-American writer and social critic. Morrison herself says "It would be a mistake to assume that writers are disconnected from social issues" (Leflore). Because Morrison is more willing than most authors to discuss meaning in her books, a genetic approach is very relevant. To be truly effective, though, the genetic approach must be combined with a formal approach. The formal approach allows the unpacking of the rich language, imagery, and metaphors of Morrison's writing, and the genetic places it in the larger context of her social consciousness.

In The Bluest Eye, Morrison's uses her critical eye to reveal to the reader the evil that is caused by a society that is indoctrinated by the inherent goodness and beauty of whiteness and the ugliness of blackness. In an interview with Milwaukee Journal staff writer Fannie Leflore, Morrison said that she "confronted and critiqued the devastation of racial images" in The Bluest Eye.

The narrative structure of The Bluest Eye is important in revealing just how pervasive and destructive the "racialization" (Morrison's term for the raci


Morrison also uses metaphors to describe the conditions under which African-Americans in general and Pecola in particular are forced to live. There are two major metaphors in The Bluest Eye, one of marigolds and one of dandelions. Claudia, looking back as an adult, says at the first of the book "there were no marigolds in the fall of 1941" (Morrison 9). She and her sister plant marigold seeds with the belief that if the marigolds would grow and survive, so would Pecola's baby (Morrison 149). Morrison unpacks the metaphor throughout the book, and, through Claudia, finally explains it and broadens its scope to all African-Americans on the last page. "I even think now that the land of the entire country was hostile to marigolds that year. Certain seeds it will not nurture, certain fruits it will not bear . . ." (Morrison 160). The implication is that Pecola, like so many other African-Americans, never had a chance to grow and succeed because she lived in a society ("soil") that was inherently racist, and would not nurture her. The other flower, the dandelion, is important as a metaphor because it represents Pecola's image of herself. Pecola passes some dandelions going into Mr. Yacobowski's store. "Why, she wonders, do people call them weeds? She thought they were pretty" (Morrison 41). After Mr. Yacobowski humiliates her, she again passes the dandelions and thinks, "They are ugly. They are weeds" (Morrison 43). She has transferred society's dislike of her to the dandelions.

In The Bluest Eye, Toni Morrison tells the story of a little black girl who thinks that if she can live up to the image of the blue-eyed Shirley Temple and Dick and Jane that she will have the perfect life that they have. The importance of this book goes beyond its value as a work of literature. Morrison speaks to the masses, both white and black, showing how a racist social system wears down the minds and souls of people, how dominate images of white heros and heroins with blue eyes and wonderful lives show young black children that to be white means to be successful and happy, and then they look around at

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Approximate Word count = 1410
Approximate Pages = 6 (250 words per page double spaced)


  

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