fluctuation in attitude to the dual role and situation and tribulations

imposed upon the character of Viola/Cesario ends up in a better

understanding of both sexes, and thus, allows Viola to have a better

understanding for Orsino. Near the opening of the play, when Viola is

adopting her male identity, she creates another self, like two masks and

may decide to wear one or the other while swinging between the two

identities in emotion and in character. She decides to take on this

identity because she has more freedom in society in her Cesario mask, which

is evident when she is readily accepted by Orsino, whereas, in her female

identity she would not be. Thus, a customary role in society and to the

Orsino sees Cesario, as a young squire just starting out in the world,

much like himself as a young, spry lad, so he has a tendency to be more

willing to unload onto her with his troubles and sorrows, seeking a

companion with which to share and to teach. Thus, Viola grows in her male

disguise to get a better feeling for his inner self, not the self that he

shows to the public, or would reveal and share with Viol

his pride. But, Cesario does not possess the same sentiments for Olivia as

After Cesario leaves from Olivia's, she declares:

Cesario, by the roses of the spring, by maid-

fections with an invisible and subtle stealth to

the plague? Methinks I feel this youth's per-

Some common words found in the essay are:
Orsino Cesario, Mills Ontario, Olivia Cesario, Malvolio IV, Cesario Olivia, Orsino Near, Overall Viola, Twelfth Night, IIII153-157 Viola, love cesario, love viola, love love, love orsino, love olivia, near play, twelfth night, master's mistress, olivia love,
Approximate Word count = 1135
Approximate Pages = 5 (250 words per page double spaced)