The Japanese Footbridge and the Water Lily Pool - by Claude Monet
Claude Monet's painting The Japanese Footbridge and the Water Lily (given above) is the scene of his residence in the village Giverny near Paris where the painter purchased a property of his own. He started to build a water garden which is now open to the public which is a Lily pond arched with a Japanese bridge and overshadowed with willows and tuft of bamboo. Starting in 1906, the paintings of the pond and the water lilies kept him busy for the remaining part of his life, which adore the Orangerie, Paris; the Art Institute of Chicago; and the Museum of Modern Art in NY City. His style of painting is popularly known as the Impressionist style that brought the study of the transient effects of natural light to its most refined expression. (It Looks Like an Original Monet) Monet was a champion of visual painting. According to Cezanne who pioneered cerebral painting mentioned of him as that "Monet is just an eye- but God, what an eye!" His positioning of forms, large and small, was such accurate that all the elements in the painting was flawlessly formed and placed, similar to what it is when we observe it in the natural world. This flair with painting has given rise to somebody to undermine Monet's contribution along with Impre
While painting "The Japanese Footbridge" in Giverny where he constructed his famous garden, his work passed through a long transition, from the initial naturalism to Impressionism to study the fleeting light effects, to views of his valued garden and the Japanese Footbridge he had constructed specially. Monet started to paint his water lilies, initially as part of the Giverny garden ensemble of water, bridge and flowers. In the painting, the surface of the water has been used as the metaphor for the surface of the painting, with freely moving lines, areas, and dabs of color. The orchestrations of the color relationships are also the topic of the paintings. The mastery of color in the painting is unparalleled; his every touch is supreme without doubt. Impressions painting are named not because they worked loosely with color through the use of the color theories developed in the nineteenth century, they optically mixed color with red next to yellow, somewhat than orange, and many more subtle. (Artist Profile: Claude Monet) ssionism, as simply visual and lack of form. However, anybody who gives precedence to color compared to form; Monet's contribution is immense in nature, just as immense in its independent manner as Cezanne. Even though it started with Impressionism's brief mo
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Approximate Pages = 3 (250 words per page double spaced)
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