In April 1926, Vitaphone Corporation was created by Warner Bros. And Western Electric, which gave Warner's the sole authorization to record and reproduce sound films on Western Electric equipment. This was how a sound-on-disk process was formed by which a recording could be played together with a film and synchronized with it. (Warner Brothers: Encyclopedia Article from Encarta) Sound technologies emerged from electronics and one of its main constituents was the audion vacuum tube for increasing sound in cinemas. (Sam Warner - Now you has jazz) Warner Brother's debut was Don Juan, the first full length Vitaphone film and the first with a synchronized sound tract of music and audio effects in 1926. A year later, The Jazz Singer became the first play with synchronized singing and dialogue, which resulted in modernizing the film industry. (1926: Sound Motion Pictures) In fact, The Jazz Singer was a well-liked play about a young man who had a beautiful voice and who is given a Broadway profession in opposition to the desires of his Old World Jewish father. (Tales of the Warner Brothers)

To conclude, the Warner Sound was a subject of time and place. What delineated the Warner sound and made it unforgettable was its association with these gazebo winners and their screen depictions.  It was the combination of the studio system with its finest well planned and meeting requirements, and the good luck of having Messers. Korngold, Steiner and Waxman interweaving music under one roof with brilliant craftsmen like sound department genius Dave Forrest, each giving their maximum for the music track. The consequence was grand film scores. It was Golden Age for Warner music celebrated by names like The Treasure of the Sierra Madre, The Adventures of Robin Hood, Kings Row, Giant and on and on.

The most important moment for Warner Brothers' was the victory of partly synchronized sound film Don Juan in the year 1926, which had a musical score, as per Eyman. Fascinatingly, this point was noted down by Jonathan Tankel in his 1976 University of North Carolina Masters thesis titled: "The jazz singer and the Conversion to Sound: A Revisionist View." (The speed of sound: Hollywood and the talkie revolution, 1926-1930) Eyman discloses the confidential details of how the application of commercial sound-on-disc technology helped the Warner Brothers to reach a 4,600% enhancement in growth between 1925 and 1930 from what started as a small chain of Nickelodeons in 1903. (The speed of sound: Hollywood and the talkie revolution, 1926-1930) The major studios, which were called the Big Five, welcomed these expansions with boldness. After trying ineffectively to buy 50 percent of Vitaphone from Warner Brothers, they decided to stay away from the service to obstruct the rebel studio and to form a sound system of their own under the patronage of the Radio Corporation of America, a division of General Electric. (Movies Meet New Technology: The Sequel to the Sequel)

in Poland and the youngest was born in Ontario in Canada. The Warner brothers depict their ancestry to Benjamin Warner who fled from Russia and came to America in the late 1800's. Warner's opened nickelodeon which was an early movie theatre in Newcastle, Pennsylvania by the year 1903. They started producing films in New York by 1912. In 1918, they started their own studio in Hollywood, California and after five years they established Warner Bros. Pictures, Inc. The father of these 4 Warner brothers maintained that by should work collectively to progress and to flourish. They were united for many years, till the death of Sam and eventually by a wicked treachery. (Sperling, 3)

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Approximate Word count = 3160
Approximate Pages = 13 (250 words per page double spaced)