The Motets and Madrigals Polyphonic Music of the Medieval Period

A detailed Summary of The Motets and Madrigals Polyphonic Music of the Medieval Period

The Motets and Madrigals of the Renaissance grew out of the polyphonic music of the Medieval Period. Polyphonic means that the songs were sung by groups of four, five, or six and were sung a Capella. A Motet is taken from a sacred text suitable for use in any type of service. A Madrigal is taken from a secular or non-religious text, and was usually a love song. Both forms of music are polyphoni

c in nature, and Motets are basically sacred Madrigals. The biggest difference is the language in which it is sung. Motets are always sung in Latin, and Madrigals are always sung in the vernacular.

Josquin Desprez (c. 1450 - 1521) was a Dutch composer of the Renaissance. He wrote thirty-two masses, and numerous chansons (secular polyphonic songs in French). He wrote several versions of "Ave M

Some common words found in the essay are:
Capella Motet, Josquin Desprez, Ave Maria, Hill Descending, John Weelkes, Period Polyphonic, Elizabeth Elizabeth, Descending Roman, Madrigals Renaissance, latmos hill, hill descending, vesta latmos, latmos hill descending, Latmos Hill, vesta latmos hill, sung latin, ave maria, love song,

Approximate Word count = 265
Approximate Pages = 1 (250 words per page double spaced)

Category: Music

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The Motets and Madrigals Polyphonic Music of the Medieval Period

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