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Character Griselda in Decameron

The concept of the patient Griselda is a commonplace of discussion about the Decameron. The manifest content of the story of Griselda and her husband Gualtieri is that the nobleman decides one day that he wants to put his peasant wife to the trial of proving her love for him and then manufactures a series of cruelties designed to have he reject him. First he verbally abuses her. Then he separates her from her children, cruelly telling her that he is going to kill them (because he has the power). Then he dispatches her to her parents. Then he calls her back to plan his new wedding for his new wife-to-be, who is only 12 years old. Then he magnanimously reveals that the "wife" is really Griselda's and his daughter and that the little boy accompanying her is really their son. Then he basically forgives Griselda for not becoming angry at him and invites her back into her own home.

The supposed generosity of Gualtieri would test the patience of any wife, but Griselda simply loves, honors, and obeys her husband. From one point of view her behavior denies her personal dignity and is a foul violation of her humanity, as if it did not exist and as if her dignity--and by extension all wives' dignity--were not at all relevant anyway. In othe


Even though the good widow has rejected Federigo as a husband, she betakes herself to him to make a request. He, meanwhile, does not know how he can feed her a neighborly dinner, he is so poor. Then he sees his prize falcon, which he loves, but which he decides will make a suitable feast. He kills the bird to feed the woman. The woman requests the falcon, which he cannot provide her. Her son dies. But then, after a suitable interval, Federigo asks her to marry him again. This time she consents.

If one enters the mind-set of 14th-century Europe, hit by the destabilizing black plague, then it is possible to at least understand that Gualtieri's motive is in part based on a desire to assure himself and society that the nobleman's wife can be relied on to maintain the structures of civilization even in the midst of the most dread consequences. His actions can be interpreted as a way of making sure that there will be no question of the continuity and integrity of the fine family because the wife of that family has the strength and courage to withstand any emotional horror or physical deprivation with honor. That the message of Griselda's character is social and not psychoemotional is indicated toward the end of the story:

Even so, the modern mind reels at the injustice and trusts that--since the social obligations of civilization have been met, thank you--like any good and faithful wife in a stable marriage in high society, Griselda will make sure her dear husband spends most of his married life on the sofa in the next room.

The arc of the story is toward life rather than death. The widow had refused Federigo out of an overweening commitment to her son rather than to herself. When her efforts on behalf of her son come to nothing anyway, she rather sensibly figures out that she would rather not grow old all alone. And Federigo is faithful and constant throughout the whole process. He, though he kills his beloved falcon, is totally committed to her, to life, to the treasure of growing old together with another human being.

Ghismonda. When Tancred discovers that his daughter Ghismonda, who has been widowed, is having an affair with one Guiscardo, who is of a lesser birth than they, he impriso

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Approximate Word count = 1487
Approximate Pages = 6 (250 words per page double spaced)


  

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