Emily Dickinson's Private World
There are poets and writers like Jack Kerouac and Walt Whitman who lived intensely, who hurtled from one experience to the next and sought to capture it all in their poetry and prose. Then there are poets like Emily Dickinson, who possessed such a rich imagination that though she saw no one but her family for the last twenty-five years of her she created some of the finest poetry ever written. Dickinson was an intensely private person who published just ten poems in her lifetime, in part because she was discouraged from publishing by publishers who didn't understand her poetic methods (Farr, pg. 5). An issue of the Atlantic monthly (which Dickinson read religiously) from January of 1960 recommended that anyone who wanted to be an artist must be lifted away and isolated from worldly surroundings (Farr, pg. 9). It appears that Dickinson took these words to heart. Her poems convey both a sense of intellectual superiority and a sense of isolation that she seems to both cherish and yearn to liberate herself from. Both the structure of her poems and her syntax reveal the contradictions within a poet whose imagination was fed by her solitude but who also desired tangible sensual experiences. It is u
. . .
Some common words found in the essay are:
Ellman O'Clair, Emily Dickinson, Choose One--/Then, Rowing Eden, Loomis Todd, Samuel Bowles, Walt Whitman, Wild Nights, farr pg, Benjamin Newton, Winds-- Heart, wild nights, o'clair pg, ellman o'clair, ellman o'clair pg, outside world, thee wild nights, enclosed world, intellectual superiority, nights luxury, letter world, o'clair pg 49, wild nights luxury, interaction closing,
Approximate Word count = 1745
Approximate Pages = 7 (250 words per page double spaced)
|
 |