the mirror of time and memory

Go into it and build myself a house…

With shoulder blades like timber props

I help up every day that made the past,

With a surveyor’s chain I measure time

And traveled through as if across the Urals.

For my blood to go on flowing from age to age.

For a safe place with constant warmth

Were it not that life’s flying needle leads me on Through the world like a thread.

The films of Andrey Arsen’evitch Tarkovsky fall into the separate genre of cinematic creations: they are more than drama or psychological thriller, more than philosophical cinema. Although Tarkovsky’s work has been deeply influenced with such prominent film directors as Kurosawa, Bunuel or Antonioni, the poetry of his father, Arseniy Tarkovsky, Boris Pasternak and many other Russian poets and writers, his films manage to form something completely unique to the mind of their director, convey a diaphanous psychological message. His cinematography is a celebration, a theatre of “imprinted time,” trapped with the skillful techniques of the plot-creating and camera usage of the director. As if in the ‘Zon

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Some common words found in the essay are:
Russian European, Solaris Nostalgia, Mirror Childhood, Childhood Solaris, Andrey Tarkovsky, , Pasternak Russian, Arsenevitch Tarkovsky, Proust Tarkovsky, Bunuel Antonioni, life zerkalo, feelings grief, mother seen, dream memory, arseniy tarkovsky, tarkovsky revealed,
Approximate Word count = 1544
Approximate Pages = 6 (250 words per page double spaced)