There are many ideas and concepts that facilitated the transition from the Medieval Era to a more modern, Renaissance society, but it can be argued that Johann Gutenberg's invention of the printing press was the most important factor to this change in Europe. The creation of the press was no easy task for Gutenberg; he was faced with many obstacles. However, once created, the press benefited people around the world for centuries and continues to be a fundamental part of our society today.

Before the invention of the printing press, books were extremely expensive, limiting education to the very wealthy. Because only the upper class could afford to purchase books, education was a means of separating the aristocracy from the lower classes. It was nearly impossible for the less fortunate to move up in society since they could not educate themselves.

The reason books were so pricey was due to the methods employed to create each page individually. For a scribe to copy an entire novel by hand would take much patience and many hours. A common method of producing copies was for one man to read the original word by word, and a group of scribes would write each wo

It was around this time that Gutenberg met John Fust, who offered to help finance his project if they could form a partnership. Gutenberg agreed as he was greatly in need of a means of paying for new equipment to make a forty-two-page press. DeVinne reports that these "small types were unique; they were never used, so far as we know for any other work" (406). This was most likely Gutenberg's greatest mistake, because when Fust did not get a quick return on his money, he sued Gutenberg for almost all of his equipment, including the new printing press. This was a set back from which Gutenberg never recovered, and though his invention greatly benefited many, he died a poor man.

Another important change that the invention of the printing press brought about was the new concept of mass production. Before the press, nobody had thought of the idea of creating something that could produce multiple copies of anything, so multiple copies of pages were just the first of endless possibilities. "Just as print was the first mass-produced thing, so it was the first uniform and repeatable commodity," and the realization that exact duplicates could be made of products other than books was one that has been acted on for centuries to bring us mass-production as we know it today (McLuhan 125).

In working to build this machine, Gutenberg was faced with obstacle after obstacle. Just when he would think he might have mastered it, he would encounter another problem to solve. "The invention of typography was not," noted Theo DeVinne in his work The Invention of Printing, "the result of a happy thought or of a flash of inspiration. It was not born in a day . . . it was thought out and wrought out" (376). To begin with, he had two main concerns: finding a device that would keep the letters in place, and making a press that would print clearly.

Clearly Gutenberg's invention of the printing press with movable type was a turning point in history from medieval to modern times. While its creation took many practice runs and a lot of trial-and-error, Gutenberg's incredible patience and determination paid off and helped to build the new culture of the Renaissance. The press was not just a means of copying the written page, but a vehicle for the concept of individualism, the rise of education and the new middle class, and an introduction to mass production.

Gutenberg came up with two brilliant ideas to solve the problems. In order to make all of the letters the same thickness, he made the mold the desired height and added extensions on the sides to catch any overflowing metal. That way he could make sure that they would not be too thick, and as long as he poured metal to the top, they would not be too thin. Once dried, "this extra piece at the bottom of the metal letters opposite to the part the prints called the face, was easily broken off and smoothed before it was used for the printed page" (Fontana 30). As for making the letters different widths, he had to make an adjustable mold. He first experimented using wood, and once perfected, he made one out of metal. He came up with a mold that consisted of two L-shaped pieces that could fit together, and slide back and forth to make the enclosed area larger or smaller.

Eventually, a method of creating copies without such a high margin of error came about. People would hand carve

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