A Versatile Film-maker
Who would think that a black comedy about nuclear war, an insightful science fiction movie, and a spine tingling horror film would have anything in common? Nevertheless, Dr. Strangelove, 2001: A Space Oddessy, and The Shining all share a common link: their brilliant director. Stanley Kubrick has become a household name in the film-making industry. His style and techniques produce cinematically ingenious inventions that have captured audiences across the globe. His stellar writing, directing, and producing abilities have made him the master film-maker that he is. Although his style is very unique, much of this style can be detected in the production of many of his movies. These three movies contain his defined style of movie-making, particularly in the areas of technical aspects, theme, and conclusions.The technical aspects of Kubrick's movies have become well-known. One technique that seems to be consistent throughout all three movies is high-key lighting and over-exposure. In Strangelove, we see a great deal of over-exposure used to highlight key points in the movie. When Mandrake tells the President Ripper's recall code, the lighting is very bright. This is used in order to depict the importance of this scene. Again, when the
Although these films were created with very different audiences in mind, they share a mastermind in movie-making. As a writer, producer, director, Stanley Kubrick has made his eternal mark on the film world. His unusual, yet effective techniques serve him well in making unforgettable movies. As one may very well notice, Kubrick's movies are made not only for the sole purpose of entertainment, but also for the sheer enjoyment of intellectual process. He makes the viewer see and understand, as well as think and interpret. This is what makes him a master film-maker. bomb is about to be dropped and the hatch opens up, the lighting is very bright. Similarly, in 2001, high-key lighting is used a great deal. We see clear examples of this as Bowman is traveling through the monolith. The lights are streaky and very bright. The scene in which the over-exposure made the biggest impact is when Bowman arrives at the end of his journey in the hotel room. The entire room is flooded with white and the scene is almost blinding. The only relief one finds from this blinding sight is that of Bowman in the midst of the room. In The Shining, as well, there is over-exposure used to bring the viewer's eye to the object or person being over-exposed. As Wendy describes Danny's injury to the doctor, Wendy is swimming in bright light while the doctor is in the shadow of the room. This seems to imply that the doctor's words are being ignored. Also as Jack is chasing Wendy up the stairs, the light from outside floods in behind him in order to highlight his facial expressions. High-key lighting was an important aspect to all three of these films. Another technical aspect of the movies was the use of camera angles. In Strangelove, Kubrick used m
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Approximate Word count = 1165
Approximate Pages = 5 (250 words per page double spaced)
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