Sethe narrates the first monologue, hastily justifying her reasons for killing Beloved and fervently expressing her jubilation that she has returned. The account takes the form of interior monologue as Sethe recounts numerous anecdotes from her colorful past. She first expresses her permanent emotional scars from having her milk stolen by "the men with no skin" or white men with numerous (and anachronistic) references to nursing and milk. This abstraction is later revisited in Denver's monologue. "Nobody will ever

Of the four types of prose, only an epic has the innate ability to convey a true sense of time. Thus, Morrison creates Sethe as an epical hero who struggles with her

Denver's monologue addresses slavery from a second-generation point of view. She herself never lived under slavery, but she has suffered no less from its repercussions. Her main distress comes from her desire for a complete family, one of which slavery as an institution deprived her. Such separating of families was a crucial facet of keeping slavery alive, since weakening the individual in all aspects was necessary to maintain their inferiority. Thus, though Denver never took the actual identity of slave, she must live fatherless, sisterless, and ultimately motherless as a result of the deterioration of her family. Much of her monologue consists of stories about her waiting for her father, Halle, and of her unlikely companionship with Beloved, both ghost and human. She actively seeks out Beloved's love because she is so desperate for family while simultaneously she resents her because of her interference into her relationship with her mother. Denver's monologue also reveals a crucial difference in she and her mother's revisitation of their pasts. While Sethe's memories resurface in the form of live "rememories," Denver's refusal to confront her circumstances maturely results in her inability to grow up, despite her age. Her monologue, therefore, takes the form of a child's story, disjointed and without direction. She skips from tale to tale about her father, about herself, and about Beloved. She brags about her father like a schoolgirl, "My daddy was an angel man. He could look at you and tell where you hurt and he could fix it too...We should all be together. Me, him and Beloved. Ma'am could stay or go off with Paul D if she wanted to" (209). These thoughts show a great deal about Denver's mistrust of her mother and exaltation of her father, however undeserved. She has so shielded herself that Sethe no longer fits into her familial fantasy. After Beloved destroys Sethe Denver is finally able to see that she can manage living without the picture perfect family, but primarily, she craves Beloved's attention and love. "And I do. Love her. I do. She played with me and always came to be with me whenever I needed her. She's mine, Beloved. She's mine" (209).

Beloved's intertwined description of Sethe and herself depicts her inability to separate the two. Beloved is, therefore, an anthology of all of the anguish that Sethe bears.

get my milk no more except my own children. I never had to give it to nobody else-and the one time I did it was took from me-they held me down and took it. Mil

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Approximate Word count = 1818
Approximate Pages = 7 (250 words per page double spaced)