William Shakespeare's Macbeth tells the story of a general who commits regicide in order to become king. Early in the play, Macbeth is conflicted as to weather or not he wants to kill his kinsman the king. In the first two acts Macbeth is not portrayed as a ruthless killer; he is a sympathetic character who succumbs to the provocation of his wife and a prophecy foretold by three mysterious witches. In contrast, Lady Macbeth is a manipulative, immoral woman. Her ambition is so strong that she is willing to do anything to see her husband succeed. However, in the third act things begin to change. The death of the king and lord and lady Macbeth's rise to power catalyze profound transformation in their personalities.

Before Macbeth enters the stage his reputation as a prestigious general is established. In the second scene of the play men who have fought with Macbeth rant about his courage in battle. The first account of Macbeth's bravery comes from an injured captain. He says: " But all's too weak/for brave Macbeth (Well he deserves that name)/ Disdaining fortune, with his brandish steel/. (1.2.17) The rest of the scene consists of other recounts of Macbeth's succ

ess; the thane of Ross informs the king that Macbeth has successfully suppressed the joint efforts of the thane of Cawdor, and the king of Norway. Furthermore, in this scene the king announces that Macbeth is to be promoted as the new thane of Cawdor. In this scene Macbeth is portrayed as a mighty, patriotic, warrior and a loyal subject to the king. However as the play progresses Macbeth deviates from these traits. Macbeth's encounter with the three witches confuses him. He begins to decide on a course of action. It becomes apparent that Macbeth has contemplated killing Duncan when he (aside) acknowledges his "black and deep desires" (1.4.58) Macbeth knows that, if he wishes to take the throne, he must kill Duncan. Yet, at the same time, he acknowledges his allegiance to the king. "He's here in double trust: First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, who should against his murderer shut the door, Not bear the knife myself. (1.7.12) Macbeth is conflicted between his morals and his ambition.

In act three another prophecy foretold by the witches comes true. The paradox "fair is foul and foul is fair" characterizes the changes the protagonists undergo in acts one, two and three. Throughout the play Macbeth, the "fair" one, becomes overcome by guilt and becomes "foul". While Lady Macbeth who was "foul" in her instigations becomes "fair".

By act three a complete reversal of values is evident. Macbeth who is driven mad by guilt, evolves to a fantastical state of mind similar to that of Lad

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Approximate Pages = 4 (250 words per page double spaced)