"That's my last Duchess painted on the wall/Looking as if she were alive. I call/That piece a wonder, now: Fra Pandolf's hands/Worked busily a day, and there she stands." In the first four lines of Robert Browning's beautifully written poetic monologue, The Last Duchess, the reader is introduced to the Duke's haughty and nonchalant attitude toward his deceased first wife. This outlook is carried through the entire piece, as I observe his obvious admiration of his beloved portrait and his eventual disclosure that his Duchess did not die of natural causes. The Duke alludes to the fact that he ordered the murder of his wife simply because his enormous ego was affronted. His obvious need for her undivided attention and complete control over her every move provoked him to have this deed carried out.
One can almost hear the Duke's true feelings of indignance, as he describes the Duchess to his guest. "Sir, 'twas not/Her husband's presence only, called that spot/Of joy into the Duchess' cheek:..." Her countenance and demeanor illustrated a true love of life, as it seems to have affected the way she treated those she encountered. It is as if she looked upon everyone as equal in stature, with no regard to sta
Of mine for dowry will be disallowed;
Not only does he want his next wife's rather large dowry, he will undoubtedly want her to be the perfect wife. Based on the story of his first wife, she will either be obedient and bend to his enormous ego, or suffer the fate of the last duchess.
The Count your master's known munificence
By controlling who is able to view the painting, the Duke fulfills his need to exhibit his power. He must show others how powerful he is, but he is rather cowardly in this respect because he does not flaunt this to those who may be more powerful than he. He does not tell his story of the last Duchess to the Count himself, but to his servant who would probably never tell the Count. Perhaps the servant would advise the Count's daughter as a warning so that she would live in fear and awe of the Duke.
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