Susan Glaspell's Trifles misleads its readers into the impression that its focus it the investigation the murder of Mr. Wright. Glaspel goes much deeper then the Murder-she-wrote version of a mid-western game of clue; instead, readers are drawn into a good old day's version of "Men are from Mars and Woman are from Venus". Aptly named Trifles, Glaspel develops her characters using the pronounced differences of Men and Women who are wrapped in the "little things" of life. Surprisingly, Glaspel elects not to introduce her readers to the victim or his murderer; these characters whom one might assume to be of central theme, never enter the stage. Most notably, Mrs. Peters, the Sheriff's wife, plays a key role in discovering the life lessons of the play. At the end of the play, Mrs. Peters is able to break the bonds tha
The defining moment in the play results from a simple question from the County Attorney, "No, Mrs. Peters doesn't need supervising. For that matter a sheriff's wife is married to the law. Ever think of it that way, Mrs. Peters?" (952) With this, Mrs. Peters redefines herself as she answers, "Not-just that way." (952) Only Mrs. Hale and the readers understands the profound meaning behind these words, presumably, it was at this time that Mrs. Peters chooses to protect Mrs. Wright by concealing the evidence from the men who seek to condemn her. With this bold step, Mrs. Peters quietly shapes her own identity; she not only frees Mrs. Wright from her chains but herself as well.
Glaspel cleverly introduces each character in such a way that they need little description; each individual is already well known to the reader. The presumpt
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