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Discussion of Waiting for Godo

Samuel Beckett's Waiting for Godot is a play without meaning. Vladimir (Didi) and Estragon (Gogo) go on for pages with meaningless jibber-jabber. The setting is an obscure place with no distinguishable characteristics; there is only a tree and a road to decorate the mundane landscape. We have no knowledge of where they are in particular; we are oblivious to what time, year, or day it is. The addition of random and weird characters only further emphasizes the piece's dissonance. But in this seemingly pointless attempt one is able to find Beckett's genius. Out of frivolous banter springs the profound significance of Beckett's critique.

It's fortunate that Beckett shied away from public life; this way, it leaves his works more susceptible to reader interpretation, rather than having the facts scribed in stone. I happen to believe that Beckett meant for his play to be a statement about religion, pa


The word Godot undeniably sounds like God. This Godot is the reason that Didi and Gogo are where they are. I hardly believe that the two main characters are supposed to be laudable in their vigilance. To most people, I assume, they are quite pathetic. They don't do anything... anything! They don't talk about anything of substance. They are lazy and rather stupid. From the first page on, I pictured them as two tramps. They wait in the middle of nowhere for no reason whatsoever. All we know, all they know, is that they are waiting for Godot, who, even by the end of the play, doesn't arrive. This is a statement about the complacency induced by Christianity or other religions. It's sort of like a spin off the cliche, "You're so heavenly minded that you're no earthly good." Some have a tendency to depend so heavily on their religion that they wait for God to fix all their problems for them, instead of taking the initiative and exerting the maximu

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Approximate Word count = 637
Approximate Pages = 3 (250 words per page double spaced)


  

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