Pygmalion essay

A detailed Summary of Pygmalion essay


According to a Greek myth, Pygmalion, an ancient sculptor living on Cyprus Island, worshipped the goddess of love, Venus. The local women disgusted him, so he sculpted himself the perfect one for him; Galatea. Higgins undertakes a similar project, to sculpt a duchess by changing the appearance and the manners of a flower girl. In his "Pygmalion," Shaw teases his audience, foreshadowing a Cinderella-like romantic play. He further mocks the audience by allowing Higgins to be the fairy godmother of this romance, creating his "Cinderella" out of a simple flower girl. After the ball, however, it becomes clear that Eliza is as a better person than Higgins. Shaw makes his audience realize that just like Cinderella, Eliza was a duchess even when her appearance and spoken word were that of a flower girl. Shaw further manifests that her father will always remain a bum regardless of his finances or appearance, and Higgins will live the rest of his life as an impolite bachelor who cares for nothing but his work. By changing the appearance and the social class of his characters while keeping their personalities constant, Shaw makes a critical point; people can only change their image, popularity and wealth, but will always remain the same on t


The theme of Shaw's "Pygmalion" lies in such consistency. Higgins is professor of phonetics, a student of Milton and Shakespeare, an imprudent and inconsiderate bachelor, forever. Shaw builds the character of Eliza from a simpleminded flower girl living on the street. In the opening act, Higgins shames her: "A woman who utters depressing and disgusting sounds has no right to be anywhere, no right to live." She cries upon the simplest provocation. Just as it is difficult to picture this street bum with a flower basket, as a duchess, it is difficult to conceive how someone like Higgins with his grotesque manners can create a genteel duchess, especially from a girl off the street. But Higgins' "Cinderella" nevertheless triumphs at the ambassador's ball. Act four, however brings up an intense conflict between Eliza and Higgins. In this confrontation, Shaw portrays Eliza as an intelligent duchess whose manners and dress brought out her individuality.

Her creator remains rude and continues to treat her as a guinea pig. Shaw forces his audience to sympathize with Eliza, whose character is intrinsically better than Higgins'. But how could this artificial creation, which has been intensely programmed to substitute morals for manners surpass her creator, the rude professor of phonetics? Eliza was a duchess before she ever met Higgins or Pickering.

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Approximate Word count = 909
Approximate Pages = 4 (250 words per page double spaced)

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