Chinese art of the Ch'ing peri
From the earliest awakenings of Chinese civilization, the Chinese have sought out what they believe to be spiritual perfection. This numinous sense of flawlessness existed within the people themselves, in nature, and between the two as well. Art has always been a common means for the Chinese to achieve such inner tranquility and peace. In their art, they stressed the dignified qualities of serenity, grace, and balance. They avoided confusion, conflict, and all violent emotions no matter what the price. Unsettling or revolutionary forms of experimental art were not welcome even to this day. On the other hand, expressing nobility and inner-worth was considered a necessity. It has been rightfully stated that Chinese art is not just a hobby. It is ultimately “a way of being” . To appreciate the significance of art fully, we must keep in mind a commandment of Confucius: “Raise yourself to the beautiful.” The Ch’ing period, also referred to as the “Manchu” period was an extremely active one for the arts. It was an age of research, preservation of ancient texts, and the collecting of bronzes and paintings. There was no great change in the manner of painting after the fall of the Ming. A variety of styles for painters to fol
. . .
Some common words found in the essay are:
, Tung Chi-chang, Confucius Raise, Famille Rose, Japan Korea, Americans Lacquered, America Unlike, Yung-chen Chien-lung, Dog Fo, Famille Noire, ching dynasty, famille noire, chinese art, eighteenth nineteenth centuries, porcelain green, dog fo, tung chi-chang, nineteenth centuries, white porcelain, ming period, eighteenth nineteenth,
Approximate Word count = 929
Approximate Pages = 4 (250 words per page double spaced)
|
