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memento

"Memento" directed by Christopher Nolan, is quite the rabble-rouser. The concepts and ideas the film conveys to the movie watching audience are a welcome, fresh change from the recent stagnation that American Film has endured. Mr. Nolan built this film off a concept that had nothing in common with the all too familiar current movie templates directors have been following in hopes to create the next box office smash. Although sometimes the movie seemed to become disjointed with too many segments to follow at once, it was none the less still a welcome change from the ridiculously repetitive suspense films of late. Now try to follow along, because the road does get somewhat twisty.

The film begins with what amounts to the end, with Leonard Shelby (Guy Pierce) executi


Nolan's film is a welcome break from the brainless action films of late. It seems every film has a surprise ending nowadays, and yet this film ends with a surprise beginning. Bravo.

But is Leonard (an ex insurance agent) even murdering the correct man? The Polaroid says "He is the one, kill him". Lost you already? Here lets clarify. Ever since his wife's rape and murder (in which Leonard sustained a serious head injury) Mr. Shelby has been unable to 'make new memories' as he puts it. He remembers everything before and during the incident clearly, but everything he tries to place in his memory banks since then seems to fade as quickly as sunlight at dusk.

So essentially Nolan has created a film that plays in reverse. Is it confusing? Yes sometimes it is. Due to th

Some common words found in the essay are:
Guy Pierce, Leonard Scene, American Film, Christopher Nolan, film plays, , film surprise, films late, rape murder,
Approximate Word count = 519
Approximate Pages = 2 (250 words per page double spaced)


  

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