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Maus II - styles and technique

There is an old saying that a picture says a thousand words. Art Spiegelman's series Maus II: A Survivors Tale/And Here My Troubles Began proves this saying to a tee. Added to the dialogue, a million possibilities arise. The series is a autobiographical/biographical comic book about his father's experiences during the Holocaust. It uses cats, mice, and other animals to present this very delicate subject.

The first book in the series received tremendous adulation and received the National Book Critics Circle prize in biography. However, the critics involved in this prize were forced to ask two questions. 'Does a comic book represent the World Wars well or not?' and 'Was Spiegelman right to use the humor of a comic book to express the Holocaust?' I will attempt to answer these questions by focusing on Maus II: And Here My Troubles Began. Using artwork combined with pictures serves many purposes. It allows the author to develop characters with a visual reference. It serves to fill in the blanks by cutting down the necessity to read between the lines to understand the big picture. These can be seen as pros and cons. So Spiegelman attempted to reduce the gap between the dialogue and the pictures. "I didn't want people to g


express this is a highly controversial metaphor. This displays the stratification of the entire European culture as a whole.

et too interested in the drawings. I wanted them to be there, but the story operated somewhere else. It operates somewhere between the words and the idea that's in the pictures, which is in essence what happens in a comic". This direct quote from an unknown interview done with Spiegelman shows that he meant to use the pictures only as a tool to express his ideas. "If too much emphasis were put on the pictures, then whole story would not be shown. However, if the pictures and the dialogue are read as one, then the entire story is expressed". Spiegelman says in the quote that he doesn't want people to focus on the artwork, he just uses them to help the story along. To help him with keeping the focus off the drawings, you can notice an extreme uniformity in the drawings. The appearance of characters are shown the same throughout the comic book, the facial expressions never change with emotion either. The author uses the uniformity in the pictures to eliminate the over descriptive nature of pictures. Instead, there are still things left to the reader's imagination. Spiegelman needs this uniformity throughout the comic book so that Holocaust does not come across as a creative medium for writing. Instead of using the drawings as a medium to show expression, he uses the drawings also help him to express ideas that he does not want left to the imagination. For example, on page 70 in Maus II, there is a map of the crematorium buildings. This eliminates any disparity between what he wants the reader to see, and what the reader will actually believe. As well as eliminating this disparity, the drawings can be used to accentuate ideas that Spiegelman has tries to express.

animals. By using the difference in size and visual ferocity, he is better able t

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Approximate Word count = 1266
Approximate Pages = 5 (250 words per page double spaced)


  

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