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Bestility in Othello

For as long as literature has been around, authors have used imagery to make their point more understandable. Many times the use of bestial imagery is utilized to draw similar themes or traits between the actions of a character and others in the story. This is not a new technique, in fact it is one that dates back to the days of Shakespeare. The play Othello portrays bestiality as recurring theme and image from the beginning to the final verse of this tragedy. In the case of Othello, success also meant socio-cultural imitation of the social values of the dominant society; or in blunt terms, 'living white'. (MacDonald, 33) His invisibility, his conscious submergence of his oppositeness, is now stripped away. A flesh of racism is added, to make him into a savage, brutish man; a black man who hides his oppositeness beneath a facade of whiteness. He achieves his white destiny, but he still retains that one aspect of his character, the beast. The evidence of bestial imagery is seen in terms of animalistic portrayal. Iago, Othello, and Michael Cassio, just to name a few characters in this play that have bestial imagery associated to them. The comparison of bestial thoughts and depictions in various characters brings about the theme of b




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Approximate Word count = 2108
Approximate Pages = 8 (250 words per page double spaced)


  

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