trombone ensemble
On the evening of November 11,1999, the Southwest TexasTrombone Ensemble provided an apprehensive crowd with a truly wonderful performance. Starting with Sonata No.1 for Trombone Choir by Evan Copley, the ensemble exhibited fabulous variety in both the note and the speed in which they were playing. This skill mindfully produced a range of emotions, including anxiety and uneasiness. Charles R. Hurt, the conductor of the ensemble, skillfully piloted the ensemble in formulating an eerie feeling. I envisioned a cemetery scene with the light fog, worn tombstones, and mourners draped in black. The mood changed for the better with the arrival of the allegro, bringing with it a sound of a climax which flutters ones emotions. Sonata No.1 concludes climaxing one final time with a abrupt, powerful
two particular feelings, anxiety and gloom, are toyed with the auditorium and filled the air with sounds of blues and After being taken on a rollercoaster of emotions Ellington and Super Bones by Jack Gale, livened the aura of depressing nature of the earlier pieces mixed with random The final two performances, Satin Doll by Duke of the rim shot and high hat. To me, the slow and build ups and climaxes seems to be smoothed over and over exploding with sounds of victory for the audience to discuss attacked by suprise. All the feelings produced in the Davidson, Joe Kramer, and Mike Lawson performed David
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Kazimierz Serocki, Charles Hurt, Satin Doll, Kramer Lawson, Evan Copley, Trombone Quartet, Joel Davidson, Trombone Ensemble, Sonata No1, Greg Wilson, charles hurt, joel davidson, sonata no1, satin doll, trombone quartet, trombone ensemble, super bones,
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Approximate Pages = 2 (250 words per page double spaced)
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