It seems more likely that this object is what one definition calls a token or "a small, stone or clay bead worn on a string about the neck. Each token was a different size or shape and stood for different business transactions. An impressi

Another example of wings being depicted in Syrian art is on a cylinder seal with a winged sun disk and lion attacking animals (1500-1300 BC). This example has more in common with the token metaphorically On this seal the winged sun represents male power; the strength of the lion defeating the other animals. The difference here is in the figure in the center of the wings. On the token, there are only two vertical lines between the wing shapes; a figurative "blank space". There is no actual body represented on the token, only the two lines, as if they are the space where a body could be. Any winged creature could be placed between the lines on the token. The space between those two lines makes the tool have a shifting metaphorical value. It is like a space to be filled whichever deity can best help with the business at hand. The lines could also imply that the user himself is winged, powerful like a god. The user of the tool can place himself between the lines.

on would be made in clay or wax signifying that the transaction took place."(1). These tokens were often only a shape that could be recognized as being different from other individual's token shapes, like a person's signat

Some common words found in the essay are:
Near Eastern, Bronze Age, North Syrian, , user tool, seal winged sun, chest cavity, shape wings, lines token, seal winged, 2nd millennium, object metonymical, syrian culture, horizontal lines, pair wings,
Approximate Word count = 800
Approximate Pages = 3 (250 words per page double spaced)