Albrecht Durer
Albrecht Durer was born on May 21, 1471 in Nuremberg, Germany. His father Albrecht Durer the elder, a goldsmith of lower middle class income, sent him to attend Latin school at St. Lorenz. Later Durer served as an apprentice to his father. Right before becoming an apprentice of the painter Michael Wolgemut, in 1484, he completed some of his earliest work at around the age of 13, which was one of his self -portrait series. In 1494 Durer increased social standing as a result of his arranged marriage to the daughter of a prosperous machine and instrument maker. Albrecht Durer was so great an artist, so searching and all-encompassing a thinker, that he was almost a Renaissance in his own right. Durer was exceptionally learned, and the only northern artist who fully absorbed the sophisticated Italian dialogues between scientific theory and art. He also rejected the Gothic art and philosophy of Germany's past, becoming the first great Protestant painter. 1494 was also the year he visited Venice to learn about the new Renaissance philosophy and art techniques. In Venice, Durer had made drawings of exot
Durer's portrait of his mother, a charcoal drawing made in 1514, is one of many portraits of family, friends, and patrons in various media. In this drawing, Durer captures the culmination of the quiet suffering she has endured most of her life due to life threatening illnesses. He has lightly gestured in the characteristics of his mother's clothing and face. Durer gives his gestural drawing direction through his use of defining contour lines, which bring out his mother's face from the background making it the most important feature in this drawing. The contour lines amplify her wrinkles, and shape of the face, such as, her eyes, nose, and mouth. Contour drawing is also shown in her clothing. Durer uses delicate and hard strokes of contour lines to place emphasis of light and dark and to accentuate how the material rests on her body. He uses delicate, brisk strokes with the charcoal to execute light shading in areas of her shawl, cape, facial features, and neck. This value range of light shading is also used to amplify the Iris's of her eyes and wrinkles within her face and clothing. In this drawing,
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Approximate Word count = 744
Approximate Pages = 3 (250 words per page double spaced)
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