nazi art as propaganda
Nazi Germany regulated and controlled the art produced between 1933 and 1945 to ensure they embodied the values they wished to indoctrinate into the German people. The notion of 'volk' (people) and 'blut und boden' (soil and blood) was championed in paintings to glorify an idealized rural Germany and instill a sense of 'superiority' in the Nordic physicality. Highly veristic and asthetisized works romanticized everyday subjects and reiterated redundant stereotyped Nazi ideals of the human body and its purposes in the Reich. Paintings of Adolf Hitler valorized and his image to heroic status, even to the extent of deification, elevating him to a god-like status. By promoting Hitler as superior to the average person, the artist made Hitler a mythological being who, if followed with unconditional religious piety, would lead the Germanic race to an ideal future. The architecture, or so-called 'ideology in stone', was also a vessel for political ideology. The monumental buildings served to construct a pseudo-history to authenticate the stable, strong and righteous nature of the 'thousand year Reich'. Thus, art in the Third Reich was merely a form of propaganda that insidiously promoted the superiority of the Nordic race, the n
Golmstock, I., Totalitarian Art: in the Soviet Union, the Third Reich, Fascist Italy and the Peoples republic of China, Collins, London 1990
Some common words found in the essay are:
National Socialist, Paul Junghan, National Socialists, Third Reich, German Law, Da Vinci's, Flag Bearer', Socialist Party, Building' Munich, Nazis Grecian, national socialist, german people, third reich, national socialist party, socialist party, national socialists, 'water sports', art third, lead germanic, power national, art third reich, lead germanic people, nazi ideology, national socialist ideology, sense national pride,
Approximate Word count = 2425
Approximate Pages = 10 (250 words per page double spaced)
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