Counter-Reformation Baroque was created by the Jesuits in 1534. Michelangelo Merssisi da Caravaggio startled the world with his The Conversion of St. Paul. The paintings' biblical scene was that of one never seen before. Caravaggio displayed chiaroscuro throughout th

Aristocratic Baroque's first leader was Peter Paul Rubens. With his rich pleasing attributes, Rubens created The Assumption of the Virgin and almost instantly established his reputation as a renown artist. This reputation-creating painting was stunning with it's bold coloring and consistent energy flowing throughout the painting. The Assumption of the Virgin is a brilliant portrayal of the Aristocratic style. Nicolas Poussin also carried the same brilliant portrayal for aristocratic style although his works were entirely different from Rubens. Poussin used control and definite barriers between different objects and shading. Poussin did not favor color because he felt that it was "accidental with light." In Holy Family on the Steps, Poussins' style is quite evident. The exactness of the lines and his use of perspective show the uses of control and absolute value.

The third category was in Holland and called Bourgeois Baroque. It is un

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