Cubism1
Cubism is one of the first forms of abstract art. "Cubism was a movement in painting that sought to break down objects into basic shapes of cubes, spheres, cylinders, and cones." Cubism originated in France and was influenced by African sculptures and by Paul Cezanne. The first cubist works were those in which objects, landscapes, and people are represented as many-sided solids. This enables you to see various views of the object at the same time. Later, cubism changed using a flatter type of abstraction, in which the complete pattern, becomes more important, and the objects represented are largely indecipherable. At first, most artists painted with little color. "Most paintings were either monochromatic or gray, blue, brown, and white." The final phase of cubism is called synthetic. In this phase color reappears as a primary element in the artwork.Cezanne was an artist who led the way to cubism or abstract art. Before Cezanne, artists would portray the world realistically. "It is above all Cezanne's obsession with formal elements of composition and his use of color as tone rather than the Impressionist pursuit of light on surface that makes his art so important to those who followed. Cezanne's works made it possible for artis
There are two other cubists worth mentioning. Ferdinand Ledger uses modern technology in his paintings. He uses machines, construction workers, and the workingman in many of his paintings. Juan Gris uses Synthetic cubism and his paintings create their own reality rather than imitating the reality of nature. From 1907-1909 is called the Negro Period. The paintings of Cezanne became familiar to Picasso. "Picasso had also discovered the greatness of an obscure old man, Douanier Rousseau. These were the years when the power of primitive art imported from Africa and the South Seas was beginning to be noticed by certain painters in Paris, and styles which had formally been despised as barbaric began to be recognized as possessing great emotive strength." Picasso painted "Les Demoiselles d'Avignon" to recapture primitive art. "The new style depended in particular on a simplification of form and a clarification of the methods by which it was depicted. With a disregard for classical tradition, distortions were used freely to emphasize volume and convey emotional sensation. Picasso said I paint objects as I think them, not as I see them. Picasso was increasingly drawn to making creations according to his own internal vision. In African art he had found a conceptual art which was not based on immediate visual reactions to a model. The original impact had been violent. It had forged the first real link between African art and Western ideas and it was followed during the two years that succeeded the painting of "Les Demoiselles d'Avignon"." At this point Braque and Picasso began to clarify and systematize a new conception of the painters' experience. They felt that they should analyze an object, break it down shapes, flatten them, change colors, and reassemble them so that they could be conceived from all angles. This method was called analytical cubism. Synthetic cubism is seen in the painting "The Three
Some common words found in the essay are:
Braque Picasso, Paul Cezanne, Les Demoiselles, Romanesque Gothic, Braque Cubism, , Atelier Series, Gris Synthetic, Period Picasso, South Seas, primitive art, les demoiselles d'avignon, war painted, period picasso, picture space, synthetic cubism, picasso painted, les demoiselles, blue period, cubism changed, demoiselles d'avignon,
Approximate Word count = 1287
Approximate Pages = 5 (250 words per page double spaced)
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