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The Bicycle Theif

"The Bicycle Thief" is a deeply moving neo-realist study of post-War

Italy which depicts one man's loss of faith and his struggle to maintain

personal dignity in poverty and bureaucratic indifference. Antonio Ricci is a

bill-poster whose bicycle, essential for his job, is stolen by a thief. Joined

by his son Bruno, Antonio vainly searches for his bike, eventually resorting to

the humiliation of theft himself. Throughout this paper, I will attempt to

trace the character through "The Bicycle Thief." The film opens with a montage

of early morning urban activities ending on a crowd of unemployed laborers

clamoring for work. Sitting to the side is Antonio Ricci. Beaten down by

despair, he has lost the energy to fight. His spirits are lifted, however,

when his name is called out for a job. Invigorated, he damns poverty. His joy

however, is fleeting, employment depends on one condition -- that he owns

a bicycle. To provide for his family, Antonio long ago pawned his bicycle

and now, in one day, he raise the price of the pawn ticket. Not knowing

where he will get the money, he turns to his wife Maria. In their stark home,


(1943); "The Children Are Watching Us," and embarked upon an artistic

Antonio and his son search the open air markets where stolen goods are



Some common words found in the essay are:
De Sica, Bicycle Thief, Antonio Bruno, Signora Santona, Spanish Asian, Bruno Antonio, Ricci Beaten, Bravely Maria, Catholic Church, Satyagig Ray, bicycle thief, de sica, survey cinema, mcgills survey cinema, antonio bruno, bruno antonio, pressing charges, bicycle antonio, signora santona, son bruno, culture satyagig ray, culture satyagig,
Approximate Word count = 1837
Approximate Pages = 7 (250 words per page double spaced)


  

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