Women in moviess
Women in Movies Since the 1940's, movies have predominately portrayed women as sex symbols. Beginning in the 1940's and continuing though the 1980's, women did not have major roles in movies. When they did have a leading role the women was either pretreated as unintelligent and beautiful, or as conniving and beautiful: But she was always beautiful. Before the 1990's, men alone, wrote and directed all the movies, and the movies were written for men. In comparison, movies of the 90's are not only written and directed by women, but leading roles are also held by older and unattractive women. In this paper I will show the variations and growth of women's roles in movies from the 1940's though the 1990's. In the 1940's women did not have predominate roles in movies. In the few movies that were based around women, the woman's character was written by a man, and the woman was portrayed as a sex symbol. In the movie Double Indemnity, a woman named Phillis is plotting to have her husband killed because she wants to collect his life insurance and be freed from an unhappy marriage. She uses her sexuality and good looks to convince Walter Neff to help her in her scheme. In this movie, Phillis is a beautiful, sexy, con
niving killer. In the end, however, because she does not have the heart to kill her husband, the audience is supposed to redeem her conniving image. In the 1940's movie Gilda, the women has two different stereotypes. The first stereotype is a beautiful sex goddess. She is so beautiful that any man would love to be with her. The second stereotype parterres her as a scorned women. After a past relationship with a man named Johnny has left her angry, she reacts by trying to make him jealous by having affairs with other men. Through out the movie Gilda marries Johnny 's boss and then cheats on him a few times. Even though Gilda does all of this by the end of the movie Johnny forgives her and once again turns the women's life into something meaningful. These two movies party two women who act very much alike. They both use their sexuality to get men to give them what they want. In the 1950's women are either sex goddess or homemakers, but they are both looking for husbands. In the movie Gentlemen Prefer Blondes, the women are blonde, beautiful, and voluptuous. They are so beautiful that when they walk into a room the men drop what they are doing to stare at them.In this movie two of Hollywood's most sensual women are looking for rich men to marry. They went through a lot to get their men, but in the end of the movie they have a double wedding and get what they have always wanted, big diamonds. The movie Father of the Bride, portrays women to be homemakers. They are suppose to stay at home, watch over the family, and be there to great their husbands at the door when they get home from work. The movie tells the story of Kay Banks, a girl who has graduated from highschool and is now waiting to find a husband. She is a daddy's girl who gets everything she wants. Even though her father is against a big church wedding he gives in and Kay and her new husband have a beautiful wedding and everyone lives happily ever after. In the 1950's women were expected to be beautiful and be good wives. In the 1960's women were portrayed in movies to be torn between having good morals and wanting to have sex. In the Splendor in the Grass, Dinny is a highschools girl in love with a boy named Bud. Dinny is a nice young girl but she feels very strongly about Bud and she is confused about
Some common words found in the essay are:
Norma Rae, Walter Neff, Women Movies, Bud Dinny, GI Jane, Boom JC, Mash Mobil, Angeles California, Kay Banks, Prefer Blondes, roles movies, women sex, women's roles movies, women strong, movies movies, women's characters, lives movie, norma rae, movies 1940's, movies women, sex symbol, portrayed strong women, women sex movie, women's characters stereotyped, women lives movie,
Approximate Word count = 1532
Approximate Pages = 6 (250 words per page double spaced)
|