The dualism between the deeper instruments playing in contrast to the softer woodwinds makes for an interesting listen. Each time that I have listened to this piece I am always hearing different pieces that I had not heard the time before. The trouble I have had with the piece is that I have a hard time listening to the piece as a whole. Instead I end up hearing either the high pieces or the low pieces, rather than being able to capture the two together as interconnected pieces. Yet, with the excerpts that I have been able to connect the two parts, their

Moreover, as soon as the listener becomes accustomed to the intensity of the music, the composer once again changes it up and softens the mood again. The listener is continuously taken on a roller coaster ride of excitement.

From the onset of the symphony, it appears that the entire piece is based around the conclusion, being Ode to Joy. It seems like everything is just getting ready to build and build into the climax. There being smaller climaxes along the way, but for the most part it is solely preparing the listener for Ode to Joy. The exciting part about the entire piece is that at no time does the listener become lulled into the music and become withdrawn from the music, rather the listener is always attentive to the music waiting and expecting the next note or series of notes, wondering what the composer and conductor have in store.

The highlight for this listener was the part of the Overture that had been used as the anthem for the Lone Ranger. It is a great example for me of how music

Some common words found in the essay are:
Beethoven's Symphony, William Tell, Lone Ranger, Ode Joy, Glazar November, entire piece, History Bibliography, piece music, Publishers York, Joseph Glazar, incredible piece music, joseph glazar november, glazar november, ode joy, hearing pieces, joseph glazar, incredible piece, music listener,
Approximate Word count = 683
Approximate Pages = 3 (250 words per page double spaced)