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An Analysis of the Presence of Alcohol in Ernest Hemingway's Short Stories

Alcohol and Desperation: An Analysis of the Presence of Alcohol in Ernest Hemingway's Short Stories

Throughout the short stories of Ernest Hemingway, alcohol inevitably lends its company to situations in which desperation already resides. In an examination of his earlier works, such as In Our Time, a comparison to later collections reveals the constant presence of alcohol where hopelessness prevails. The nature of the hopelessness, the desperation, changes from his earlier works to his later pieces, but its source remains the same: potential, or promise of the future causes a great deal of trepidation and lament throughout Hemingway's pieces. Whether the desperation comes from trepidation or lament depends on the view point from which it is observed, or rather, experienced.

In many of the works written early in his career, Hemingway's characters experience a fear of the future. The fear does not necessarily stem from commonly expected sources, such as "the unknown," but rather, it seems to grow from a fear of failure, a fear of being unable to fulfill potential. A number of stories and vignettes from In Our Time reflect these trepidations, and t

"Cross-Country Snow" presents Nick Adams working through a fear of responsibility, again with alcohol in hand. Within the text of the story, it becomes clear that Nick is involved with a girl who will give birth to a baby in the summer. Nick's feelings toward this event are illustrated in his desire to forget the life he has in the States and to stay and ski in Europe. Over a bottle of wine, Nick and George discuss the joy of skiing. For Nick, the discussion's unspoken side describes the monotony of his life at home. Nick's desire to shed responsibility affords the reader another vantage point from which to observe the fear of failing to fulfill potential: rather than trying and falling short, why not shirk responsibility and submarine any efforts to succeed? In this case, the alcohol facilitates the day-dream quality of Nick and George's fantasy to turn their backs on responsibility and potential and to ski for the rest of their lives. It intensifies the notion that choosing to ignore their potential would allow them to keep from failing to fulfill it. They begin to believe that they cannot fail at something at which they never tried to succeed. Unfortunately, fulfilling the promise their lives hold is not something that can be consciously chosen; the attempt to succeed at fulfilling that promise begins at birth. They cannot claim they did not succeed because they did not try (the "I wasn't really trying" argument); in that case, they do not succeed because they did not try. In this short and seemingly simple story, Hemingway illustrates the magnitude and inescapability of the weight of potential.

"Indian Camp" in In Our Time, depicts Nick Adams a small boy, exposed to death for the first time. This story does not describe desperation nor does it include alcohol; rather, it demonstrates the promise held in the possibilities of life in Nick's final thoughts: "In the early morning on the lake sitting in the stern of the boat with his father rowing, he felt quite sure that he would never die" (Hemingway 95). Despite the events he witnesses in the camp, Nick's future seems boundless, as well as endless. Potential has no limits, and the pressures of fulfilling potential are, as yet, unknown to him. This first story in Hemingway's first published collection serves as a fitting point of departure for the descriptions of desperation that follow; Nick is free from the weight of potential, and judging by his enjoyment of the idyllic setting that surrounds him, it seems that he looks forward to the promise of life.

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Approximate Word count = 2620
Approximate Pages = 10 (250 words per page double spaced)

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