The Sounds of the Unknown
Try to create a music, which no one has ever heard. It is so broad, new, and unexplored even the creator cannot even place a name for it. As Derrik May put it, "We had to crack some serious codes, we did things no one else would do, played music no one else would touch. Those were some brave times" (Sicko 67). A name was finally concocted by a group called the Belleville Trio. May, one of the trio, stated, "We were calling it techno. Nobody really gave it that name. I think it was just the obvious title for the kind of music we made (Silcott 46). The actual word is said to have originated in Detroit, along with pretty much everything else having to do with it. So, what exactly is techno, and how has it had an influence? In order to comprehend techno, along with its simply deceptive grooves, and how its uprising has brought on a dramatic change in American as well as European culture, there must be a deep reaching with the mind alone into an electronic culture, along with letting the influence run through the body. The life of techno is not nearly long enough to recap and write on for even a few paragraphs. There is hardly any sources on techno as well. But, anyone who is living in th
Where techno really woke up was in Detroit, Michigan. After the originating of the music, and its main streaming, Detroit artists went back working in the Underground, while many other nations were still main streaming into pop (Sicko 162). Even though techno has made the enormous journey from the Detroit neighborhoods to each of the seven continents, America is still its toughest obstacle, which is ironic because that is where techno originated (Sicko 186). Sicko, Dan. Techno Rebels. New York: Billboard Books, Inc., 1999. Cheeseman, Phil. "The History of House." webpage http://www.hyperreal.org/music/library/history_of_house.html. 16 Feb. 2000. The future sound of techno will possibly be put together by many new machines. It represents a radical departure from traditional marketing techniques and the promotion of personalities (Sicko 186). In the present, techno is all about speed. It is a perfect groove for traveling. It has many repetive rhythms, melodies, and other perspectives that give the listener tons of electronic stimulation (Savage 2). The speeds will be enhanced, new musical styles will be produced, and even computer processed rhythms will be recorded. It is a major pop phenomenon, within which everyone lives (Sicko 2). The up and coming effects of techno have already been realized. A man named Alvin Toffler, wrote in The Third Wave, "The techno rebels are, whether they recognize it or not, agents of the Third Wave. They will not vanish but multiply in the years ahead" (Savage 4). As it has been said, techno will only get larger in the years to come, just as any other music does. The difference with it, though, is that it will keep on going,. Most likely because the style does not actually change, and since it is usually the song known, instead of the artist. So there are no celebrities to follow around and keep track of, just the pure hits. One of the best things that has happened to techno is that it finally caught up to the future it has been serenading for some many years (Sic
Some common words found in the essay are:
Detroit Michigan, American European, Third Wave, Tracks Silcott, Richard Davis, Europe American, Belleville Trio, Unknown Try, Leftfield Underworld, Dust Brothers, savage 2, simply deceptive grooves, savage 1, sicko 17, culture america, unique style, techno simply, techno rebels, techno originated, techno simply deceptive, third wave, simply deceptive,
Approximate Word count = 1371
Approximate Pages = 5 (250 words per page double spaced)
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