Viola/Cesario ends up in a better understanding of both sexes, and thus, allows Viola to have a better understanding for Orsino. Near the opening of the play, when Viola

is adopting her male identity, she creates another self, like two masks and may decide to wear one or the other while swinging between the two dentities in emotion and in

character. She decides to take on this identity because she has more freedom in society in her Cesario mask, which is evident when she is readily accepted by Orsino,

whereas, in her female identity she would not be. Thus, a customary role in society and to the outlooks of others is portrayed. Orsino sees Cesario, as a young squire just

starting out in the world, much like himself as a young, spry lad, so he has a tendency to be more willing to unload onto her with his troubles and sorrows, seeking a

companion with which to share and to teach. Thus, Viola grows in her male disguise to get a better feeling for his inner self, not the self that heshows to the public, or

would reveal and share with Viola in he

like when he says: If music be the food of love, play on; give me excess of it, that, surfeiting, the appetite may sicken, and so die. (206) This quote shows that he knows

Some common words found in the essay are:
Orsino Cesario, Olivia Cesario, Cesario Olivia, Orsino Near, Overall Viola, Twelfth Night, love viola, love cesario, love love, twelfth night, love orsino, near play, love olivia, olivia love, master's mistress,
Approximate Word count = 934
Approximate Pages = 4 (250 words per page double spaced)