The biggest thing, I think, is the ability to just talk to people and not be worried about what they think. After all, I can't be embarrassed after I think about some of the stuff that I did this year in front of the class. I found that I can go ahead and talk to someone I don't know, instead of just standing there, awkwardly.

After spending five weeks on improvisation during the first semester, I can think on my feet. It also gives me something to do when the telemarketers call. I can think of something to say when I'm talking to one of dad's clients. And of c

ourse, if someone gets into a situation that they can't quite explain, I can whip up a story in no time flat, (not that I would ever get into trouble or anything).

It's just knowing that I am part of the whole thing, working with so many people for so long, then watching it all come together. Backstage craft wasn't a big part of the class, but the relationship/every-one-is-a-link-universal-truth part of it was an undertone lesson throughout the whole class. When we had to work with people that we had known all our lives, but had never talked to before, and create something; that was cool.

I have tried to outline some of random thoughts about the past year's third hour class. It wasn't the blow-off class I was expecting, and it helped me get through a few of my other classes. In college, I may pursue the backstage positions, but honestly, I don't think that theater will be a major part in my life as I go riding off into the sunset, but I've enjoyed

Some common words found in the essay are:
Theatre Club, , British Russian, theater class, light board, i'm talking, blow-off class, class introduced, theater class introduced,
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