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defense mechs in lit

Who hasn't been hurt if their life? A loved one passing away, a lover tearing at the heart, a rejection of something desired. Everyone has certain stresses in which they have to deal with and react to. As the burden of the stress mounts, certain levels of anxiety arise. How do humans behave in the depths of this anxiety? People have developed varied counter measures called defense mechanisms in an attempt to confront their issues.

Many of the theories behind defense mechanisms commenced with the work of Sigmund Freud. Freud believed that a conflict existed between the id, ego and the superego. This accounted for the anxieties within human existence. Freud stated that individuals use these mechanisms subconsciously, and that it is normal and acceptable to do so. Yet a metaphorical line can be drawn. A line where if crossed can be damaging to ones psyche. It may cause the individual not to deal with the situation or problem, but rather to repress them. Thus damaging the individual or those around him further. The repressor does not deal with his feeling directly. He hides them. Directs them using the mechanism.

I will examine the use of defense mechanisms in the context of two works explored in class. These ar


Gallimard displays a variety of defense mechanisms. But these are encountered for reasons polar to Parry. While Parry mechanisms were designed to mask an event of the past, Gallimard uses his to hide the truths of the present. I also theorize that Gallimard used his defense mechanism to hide the actuality that he was homosexual (I read something to the effect in a magazine article where the actual subject of the play admitted as much)

Parry endured what seemingly was a classic case of repression. He would not think of his wife in a normal sense. He did not look back at fond memories or at the time they had together. He simply tried to forget her. And when memories resurfaced, he displayed classic examples of repression. The violent outburst followed by a period of time where the memory would again be repressed until the next emotional upheaval.

Gallimard presents a classic case of what Freud coined denial. The subject does not want to accept the realities of a situation, so rather he just pretends they do not exist. Gallimard simply is in denial that his precious flower could be anything but female. He is a man; she is a woman, a submissive concubine to him. Actions taken within the beginning of the work where Song gives Gallimard her shame plays right into this deception. It gives Gallimard a masculine feeling of superiority.

There is a certain level of intimacy one achieves with the member of the opposite sex. Could it be possible to be that intimate for a number of years and not to realize a shocking truth? A reality that while one might not want to grasp has to be visibly apparent. I am referring to M Butterfly. An adaptation of a play by David Hwang.

Parry's world is destroyed by the death of his wife in the Fisher King. He is committed to an asylum. When he leaves and enters the world again, his vision of reality is blurred. Parry develops a number of defense mechanisms in order to combat the war in his mind. Parry initially forms what is known as repression. This is the most commonly found d

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Approximate Word count = 1381
Approximate Pages = 6 (250 words per page double spaced)


  

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